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      <description>dreampower wants to share a video with you [image] watch video Video DescriptionDoug Pray (dir.)  Like many American outsider-adventurers, Dorian "Doc" Paskowitz set out to realize a utopian dream. Abandoning a successful medical practice, he sought self-fulfillment by taking up the nomadic life of a surfer. But unlike other American searchers like Thoreau or Kerouac, Paskowitz took his wife and nine children along for the ride, all eleven of them living in a 24 foot camper. Together, they lived a life that would be unfathomable to most, but enviable to anyone who ever relinquished their dreams to a straight job. The Paskowitz Family proved that America may be running out of frontiers, but it hasn't run out of frontiersman.Personal MessageCheck out his movie! It will really challenge your perspective.   ~ Will&amp;nbsp;(added to dream-warrior.com on 3-8-10)</description>
      <content:encoded>dreampower wants to share a video with you [image] watch video Video DescriptionDoug Pray (dir.)  Like many American outsider-adventurers, Dorian "Doc" Paskowitz set out to realize a utopian dream. Abandoning a successful medical practice, he sought self-fulfillment by taking up the nomadic life of a surfer. But unlike other American searchers like Thoreau or Kerouac, Paskowitz took his wife and nine children along for the ride, all eleven of them living in a 24 foot camper. Together, they lived a life that would be unfathomable to most, but enviable to anyone who ever relinquished their dreams to a straight job. The Paskowitz Family proved that America may be running out of frontiers, but it hasn't run out of frontiersman.Personal MessageCheck out his movie! It will really challenge your perspective.   ~ Will&amp;nbsp;(added to dream-warrior.com on 3-8-10)</content:encoded>
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      <pubDate>Sat, 03 May 2008 07:35:12 GMT</pubDate>
      <guid>http://community.mydreampower.com/_Dr-leaves-practice-and-takes-family-to-surf-the-world/BLOG/55375/22042.html</guid>
      <dc:creator>spiritdancer</dc:creator>
      <dc:date>2008-05-03T07:35:12Z</dc:date>
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        <media:description>dreampower wants to share a video with you [image] watch video Video DescriptionDoug Pray (dir.)  Like many American outsider-adventurers, Dorian "Doc" Paskowitz set out to realize a utopian dream. Abandoning a successful medical practice, he sought self-fulfillment by taking up the nomadic life of a surfer. But unlike other American searchers like Thoreau or Kerouac, Paskowitz took his wife and nine children along for the ride, all eleven of them living in a 24 foot camper. Together, they lived a life that would be unfathomable to most, but enviable to anyone who ever relinquished their dreams to a straight job. The Paskowitz Family proved that America may be running out of frontiers, but it hasn't run out of frontiersman.Personal MessageCheck out his movie! It will really challenge your perspective.   ~ Will&amp;nbsp;(added to dream-warrior.com on 3-8-10)</media:description>
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      <title>How to Find Your Authentic Purpose</title>
      <link>http://community.mydreampower.com/_How-to-Find-Your-Authentic-Purpose/BLOG/55038/22042.html</link>
      <description>How&#xD;
can you know you are going in the direction of your authentic purpose?&#xD;
This is a question that seriously concerns every one of us. Being able&#xD;
to answer it, and to move in the direction of your purpose, is the key&#xD;
to your happiness and sense of fulfillment. Fortunately, your life&#xD;
actually gives you specific signals to guide you toward your purpose,&#xD;
and to tell you whether you are on or off track. Allow me to explain.        &#xD;
            At&#xD;
any given point in your life, you are in transition, seeking to move&#xD;
from what you have already become to a deeper or higher level of being.&#xD;
The external and internal achievements of yesterday do not satisfy you&#xD;
today, although they are important because they form the foundation for&#xD;
your next steps. You are always on the road.        &#xD;
        You&#xD;
may have an idea of what road is the road for you, and you may be&#xD;
right. But you may also be wrong. Why? Because where you need to go is&#xD;
still an  unknown   to you. As the great American psychologist/philosopher William James pointed out, it is your  unconscious   higher self that knows where you need to go. Your conscious mind, being&#xD;
based in the past, tends to get in the way. It projects the future on&#xD;
the basis of the past, and the past is exactly what you have to release&#xD;
in order to grow!        &#xD;
        How&#xD;
many times have you thought you were going after what you wanted, and&#xD;
when you got it, found out it was all wrong? How many times have crises&#xD;
befallen you that you later look back on and see as blessings in&#xD;
disguise? These types of experience tell us that a higher wisdom, and&#xD;
not our conscious minds, is directing our purpose. We need to learn to&#xD;
listen to our higher wisdom in order to follow our life purpose.        &#xD;
        How do you learn to listen to your higher wisdom? Among other things, by learning to recognize the  signals that something needs to change.      Generally, these signals involve  discomfort  because a part of us resists change. The discomfort can be emotional or physical.        &#xD;
        Emotional discomfort takes the form of  negative emotions  :&#xD;
fear, anger, envy, resentment, jealousy, etc. When you feel such&#xD;
feelings frequently, they signal that you need to let go of something&#xD;
in order to take the next step in your growth. We move forward by&#xD;
letting go of what doesn't work, so as to open the space for new types&#xD;
of experience that are as yet unformed. Our path into the future&#xD;
proceeds by an undoing of the past, it involves indirect rather than&#xD;
direct learning, opening up by letting go.        &#xD;
        When you habitually experience negative emotions, what you need to let go of may be  internal or external  .&#xD;
Internal things that keep us from our purpose include such&#xD;
psychological habits as blaming, resenting others, criticizing or&#xD;
complaining. External things involve our environment. For example, if&#xD;
you feel angry or resentful in a work situation, you may need to let go&#xD;
of that job, even though it might terrify you to do so. Alternatively,&#xD;
you may need to speak up for yourself. The point is, you need to change&#xD;
the structures in which you participate because they are keeping you&#xD;
stuck in negative emotions.        &#xD;
        When&#xD;
we chronically suffer from negative emotions, we are failing to listen&#xD;
to the message. We are afraid to let go and move on, whether that&#xD;
involves letting go of our own limiting mental and emotional patterns,&#xD;
or letting go of limiting structures in our environment. When we are&#xD;
afraid to let go, we suffer.        &#xD;
        Just&#xD;
as our negative emotions signal the need for change, the body also&#xD;
gives us signals, in the form of illness or pain. These are not there&#xD;
to punish you, but to guide you toward a higher purpose, to teach you&#xD;
something that you might not learn otherwise, something that is&#xD;
frequently involved with learning to care for yourself (and therefore&#xD;
ultimately for the world) more deeply. Learning to genuinely care for&#xD;
yourself, for the divinity that you are within and the gifts that&#xD;
divinity brings to the world, is a hard lesson for all of us to learn.        &#xD;
        Negative&#xD;
emotions and physical distress are nothing to be ashamed of. They are a&#xD;
part of all of our lives, they express our growing pains. The challenge&#xD;
is, to know what the problem is that you are being asked to address,&#xD;
and how to address it. Alas, what we think is the problem (our&#xD;
conscious mind at work!) rarely is the real problem! That is where I&#xD;
hope to be able to help you.        &#xD;
        Some&#xD;
of you know that many years ago I became 'medically intuitive.' Medical&#xD;
intuition is a form of psychic ability, an ability to read, at a&#xD;
distance, currently core issues underlying a person's physical,&#xD;
emotional or spiritual health. In my own case, this skill developed as&#xD;
a result of serious work healing from chronic illness, years of&#xD;
meditative practice, a commitment I made to  trust   information&#xD;
that came to me intuitively even if it defied common sense, and a&#xD;
commitment to helping others help themselves. Medical intuition is  not  woo-woo&#xD;
(though some disreputable people may stain its reputation by claiming&#xD;
to practice it). In fact, it is a natural skill we all have. However,&#xD;
since most people don't understand the nature of the mind, and we live&#xD;
in a mentally repressive culture, most of us don't know how easily we&#xD;
can use our minds like radio transmitters, to project and receive&#xD;
information. Be that as it may, I am here to offer you help in taking&#xD;
the next step of your journey. My job is to help you help yourself, by&#xD;
helping you to see your own core issues more clearly. Once you do see&#xD;
them, you will be wondering how you failed to see them earlier!        &#xD;
              &#xD;
  &#xD;
  &#xD;
  &#xD;
  &#xD;
  &#xD;
  &#xD;
  &#xD;
  &#xD;
  &#xD;
  &#xD;
    &#xD;
    &#xD;
    All blessings, love and light to you on your journey into effortless living!    &#xD;
    &#xD;
  ~ Ingrid Bacci  &#xD;
    &#xD;
            www.ingridbacci.com</description>
      <content:encoded>How&#xD;
can you know you are going in the direction of your authentic purpose?&#xD;
This is a question that seriously concerns every one of us. Being able&#xD;
to answer it, and to move in the direction of your purpose, is the key&#xD;
to your happiness and sense of fulfillment. Fortunately, your life&#xD;
actually gives you specific signals to guide you toward your purpose,&#xD;
and to tell you whether you are on or off track. Allow me to explain.        &#xD;
            At&#xD;
any given point in your life, you are in transition, seeking to move&#xD;
from what you have already become to a deeper or higher level of being.&#xD;
The external and internal achievements of yesterday do not satisfy you&#xD;
today, although they are important because they form the foundation for&#xD;
your next steps. You are always on the road.        &#xD;
        You&#xD;
may have an idea of what road is the road for you, and you may be&#xD;
right. But you may also be wrong. Why? Because where you need to go is&#xD;
still an  unknown   to you. As the great American psychologist/philosopher William James pointed out, it is your  unconscious   higher self that knows where you need to go. Your conscious mind, being&#xD;
based in the past, tends to get in the way. It projects the future on&#xD;
the basis of the past, and the past is exactly what you have to release&#xD;
in order to grow!        &#xD;
        How&#xD;
many times have you thought you were going after what you wanted, and&#xD;
when you got it, found out it was all wrong? How many times have crises&#xD;
befallen you that you later look back on and see as blessings in&#xD;
disguise? These types of experience tell us that a higher wisdom, and&#xD;
not our conscious minds, is directing our purpose. We need to learn to&#xD;
listen to our higher wisdom in order to follow our life purpose.        &#xD;
        How do you learn to listen to your higher wisdom? Among other things, by learning to recognize the  signals that something needs to change.      Generally, these signals involve  discomfort  because a part of us resists change. The discomfort can be emotional or physical.        &#xD;
        Emotional discomfort takes the form of  negative emotions  :&#xD;
fear, anger, envy, resentment, jealousy, etc. When you feel such&#xD;
feelings frequently, they signal that you need to let go of something&#xD;
in order to take the next step in your growth. We move forward by&#xD;
letting go of what doesn't work, so as to open the space for new types&#xD;
of experience that are as yet unformed. Our path into the future&#xD;
proceeds by an undoing of the past, it involves indirect rather than&#xD;
direct learning, opening up by letting go.        &#xD;
        When you habitually experience negative emotions, what you need to let go of may be  internal or external  .&#xD;
Internal things that keep us from our purpose include such&#xD;
psychological habits as blaming, resenting others, criticizing or&#xD;
complaining. External things involve our environment. For example, if&#xD;
you feel angry or resentful in a work situation, you may need to let go&#xD;
of that job, even though it might terrify you to do so. Alternatively,&#xD;
you may need to speak up for yourself. The point is, you need to change&#xD;
the structures in which you participate because they are keeping you&#xD;
stuck in negative emotions.        &#xD;
        When&#xD;
we chronically suffer from negative emotions, we are failing to listen&#xD;
to the message. We are afraid to let go and move on, whether that&#xD;
involves letting go of our own limiting mental and emotional patterns,&#xD;
or letting go of limiting structures in our environment. When we are&#xD;
afraid to let go, we suffer.        &#xD;
        Just&#xD;
as our negative emotions signal the need for change, the body also&#xD;
gives us signals, in the form of illness or pain. These are not there&#xD;
to punish you, but to guide you toward a higher purpose, to teach you&#xD;
something that you might not learn otherwise, something that is&#xD;
frequently involved with learning to care for yourself (and therefore&#xD;
ultimately for the world) more deeply. Learning to genuinely care for&#xD;
yourself, for the divinity that you are within and the gifts that&#xD;
divinity brings to the world, is a hard lesson for all of us to learn.        &#xD;
        Negative&#xD;
emotions and physical distress are nothing to be ashamed of. They are a&#xD;
part of all of our lives, they express our growing pains. The challenge&#xD;
is, to know what the problem is that you are being asked to address,&#xD;
and how to address it. Alas, what we think is the problem (our&#xD;
conscious mind at work!) rarely is the real problem! That is where I&#xD;
hope to be able to help you.        &#xD;
        Some&#xD;
of you know that many years ago I became 'medically intuitive.' Medical&#xD;
intuition is a form of psychic ability, an ability to read, at a&#xD;
distance, currently core issues underlying a person's physical,&#xD;
emotional or spiritual health. In my own case, this skill developed as&#xD;
a result of serious work healing from chronic illness, years of&#xD;
meditative practice, a commitment I made to  trust   information&#xD;
that came to me intuitively even if it defied common sense, and a&#xD;
commitment to helping others help themselves. Medical intuition is  not  woo-woo&#xD;
(though some disreputable people may stain its reputation by claiming&#xD;
to practice it). In fact, it is a natural skill we all have. However,&#xD;
since most people don't understand the nature of the mind, and we live&#xD;
in a mentally repressive culture, most of us don't know how easily we&#xD;
can use our minds like radio transmitters, to project and receive&#xD;
information. Be that as it may, I am here to offer you help in taking&#xD;
the next step of your journey. My job is to help you help yourself, by&#xD;
helping you to see your own core issues more clearly. Once you do see&#xD;
them, you will be wondering how you failed to see them earlier!        &#xD;
              &#xD;
  &#xD;
  &#xD;
  &#xD;
  &#xD;
  &#xD;
  &#xD;
  &#xD;
  &#xD;
  &#xD;
  &#xD;
    &#xD;
    &#xD;
    All blessings, love and light to you on your journey into effortless living!    &#xD;
    &#xD;
  ~ Ingrid Bacci  &#xD;
    &#xD;
            www.ingridbacci.com</content:encoded>
      <enclosure url="http://media.kickstatic.com/kickapps/images/22042/photos/PHOTO_998178_22042_2045228_ap_100X75.jpg" type="text/html" />
      <pubDate>Fri, 02 May 2008 02:35:45 GMT</pubDate>
      <guid>http://community.mydreampower.com/_How-to-Find-Your-Authentic-Purpose/BLOG/55038/22042.html</guid>
      <dc:creator>spiritdancer</dc:creator>
      <dc:date>2008-05-02T02:35:45Z</dc:date>
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        <media:category>Finding your passion</media:category>
        <media:credit role="publishing company" scheme="urn:ebu">The Old Dream Club</media:credit>
        <media:description>How&#xD;
can you know you are going in the direction of your authentic purpose?&#xD;
This is a question that seriously concerns every one of us. Being able&#xD;
to answer it, and to move in the direction of your purpose, is the key&#xD;
to your happiness and sense of fulfillment. Fortunately, your life&#xD;
actually gives you specific signals to guide you toward your purpose,&#xD;
and to tell you whether you are on or off track. Allow me to explain.        &#xD;
            At&#xD;
any given point in your life, you are in transition, seeking to move&#xD;
from what you have already become to a deeper or higher level of being.&#xD;
The external and internal achievements of yesterday do not satisfy you&#xD;
today, although they are important because they form the foundation for&#xD;
your next steps. You are always on the road.        &#xD;
        You&#xD;
may have an idea of what road is the road for you, and you may be&#xD;
right. But you may also be wrong. Why? Because where you need to go is&#xD;
still an  unknown   to you. As the great American psychologist/philosopher William James pointed out, it is your  unconscious   higher self that knows where you need to go. Your conscious mind, being&#xD;
based in the past, tends to get in the way. It projects the future on&#xD;
the basis of the past, and the past is exactly what you have to release&#xD;
in order to grow!        &#xD;
        How&#xD;
many times have you thought you were going after what you wanted, and&#xD;
when you got it, found out it was all wrong? How many times have crises&#xD;
befallen you that you later look back on and see as blessings in&#xD;
disguise? These types of experience tell us that a higher wisdom, and&#xD;
not our conscious minds, is directing our purpose. We need to learn to&#xD;
listen to our higher wisdom in order to follow our life purpose.        &#xD;
        How do you learn to listen to your higher wisdom? Among other things, by learning to recognize the  signals that something needs to change.      Generally, these signals involve  discomfort  because a part of us resists change. The discomfort can be emotional or physical.        &#xD;
        Emotional discomfort takes the form of  negative emotions  :&#xD;
fear, anger, envy, resentment, jealousy, etc. When you feel such&#xD;
feelings frequently, they signal that you need to let go of something&#xD;
in order to take the next step in your growth. We move forward by&#xD;
letting go of what doesn't work, so as to open the space for new types&#xD;
of experience that are as yet unformed. Our path into the future&#xD;
proceeds by an undoing of the past, it involves indirect rather than&#xD;
direct learning, opening up by letting go.        &#xD;
        When you habitually experience negative emotions, what you need to let go of may be  internal or external  .&#xD;
Internal things that keep us from our purpose include such&#xD;
psychological habits as blaming, resenting others, criticizing or&#xD;
complaining. External things involve our environment. For example, if&#xD;
you feel angry or resentful in a work situation, you may need to let go&#xD;
of that job, even though it might terrify you to do so. Alternatively,&#xD;
you may need to speak up for yourself. The point is, you need to change&#xD;
the structures in which you participate because they are keeping you&#xD;
stuck in negative emotions.        &#xD;
        When&#xD;
we chronically suffer from negative emotions, we are failing to listen&#xD;
to the message. We are afraid to let go and move on, whether that&#xD;
involves letting go of our own limiting mental and emotional patterns,&#xD;
or letting go of limiting structures in our environment. When we are&#xD;
afraid to let go, we suffer.        &#xD;
        Just&#xD;
as our negative emotions signal the need for change, the body also&#xD;
gives us signals, in the form of illness or pain. These are not there&#xD;
to punish you, but to guide you toward a higher purpose, to teach you&#xD;
something that you might not learn otherwise, something that is&#xD;
frequently involved with learning to care for yourself (and therefore&#xD;
ultimately for the world) more deeply. Learning to genuinely care for&#xD;
yourself, for the divinity that you are within and the gifts that&#xD;
divinity brings to the world, is a hard lesson for all of us to learn.        &#xD;
        Negative&#xD;
emotions and physical distress are nothing to be ashamed of. They are a&#xD;
part of all of our lives, they express our growing pains. The challenge&#xD;
is, to know what the problem is that you are being asked to address,&#xD;
and how to address it. Alas, what we think is the problem (our&#xD;
conscious mind at work!) rarely is the real problem! That is where I&#xD;
hope to be able to help you.        &#xD;
        Some&#xD;
of you know that many years ago I became 'medically intuitive.' Medical&#xD;
intuition is a form of psychic ability, an ability to read, at a&#xD;
distance, currently core issues underlying a person's physical,&#xD;
emotional or spiritual health. In my own case, this skill developed as&#xD;
a result of serious work healing from chronic illness, years of&#xD;
meditative practice, a commitment I made to  trust   information&#xD;
that came to me intuitively even if it defied common sense, and a&#xD;
commitment to helping others help themselves. Medical intuition is  not  woo-woo&#xD;
(though some disreputable people may stain its reputation by claiming&#xD;
to practice it). In fact, it is a natural skill we all have. However,&#xD;
since most people don't understand the nature of the mind, and we live&#xD;
in a mentally repressive culture, most of us don't know how easily we&#xD;
can use our minds like radio transmitters, to project and receive&#xD;
information. Be that as it may, I am here to offer you help in taking&#xD;
the next step of your journey. My job is to help you help yourself, by&#xD;
helping you to see your own core issues more clearly. Once you do see&#xD;
them, you will be wondering how you failed to see them earlier!        &#xD;
              &#xD;
  &#xD;
  &#xD;
  &#xD;
  &#xD;
  &#xD;
  &#xD;
  &#xD;
  &#xD;
  &#xD;
  &#xD;
    &#xD;
    &#xD;
    All blessings, love and light to you on your journey into effortless living!    &#xD;
    &#xD;
  ~ Ingrid Bacci  &#xD;
    &#xD;
            www.ingridbacci.com</media:description>
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      <title>Wordclay: Self-Publishing Site for Writers</title>
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      <description>Check out this new self publishing service called Wordclay.com. at http://wordclay.com  &#xD;
    [image]  &#xD;
    &#xD;
  It looks really good for all you writers out there.  &#xD;
  Here is what they have to say about themselves:  &#xD;
  We're focused on&#xD;
publishing books for authors. In fact, our book publishing&#xD;
professionals have more than 100 collective years of experience&#xD;
editing, designing and selling books. This simple, yet highly&#xD;
sophisticated publishing tool was developed with you, the book-savvy&#xD;
author, in mind.  &#xD;
  As&#xD;
you familiarize yourself with the Wordclay DIY self-publishing wizard,&#xD;
you'll come to appreciate the attention to detail that Wordclay&#xD;
affords. And, best of all, you can self-publish as many books as you&#xD;
like...for free, compliments of Wordclay.  &#xD;
  In&#xD;
addition to our FREE DIY self-publishing wizard, we also offer a&#xD;
variety of services to help you create, distribute and promote a&#xD;
marketable book. We realize you could do it all on your own, but we're&#xD;
here to offer assistance when you just don't have the time or patience&#xD;
to publish your book alone.  &#xD;
    Here are a few of the DIY   self-publishing services to help you:    &#xD;
    Editorial Services  |  Content Design  |  Cover and Graphic Design  |  Channel Distribution  |  Marketing Support  |  more...   &#xD;
    &#xD;
  Watcha video about them here: http://www.youtube.com/watch?v=875xxa5MAWI</description>
      <content:encoded>Check out this new self publishing service called Wordclay.com. at http://wordclay.com  &#xD;
    [image]  &#xD;
    &#xD;
  It looks really good for all you writers out there.  &#xD;
  Here is what they have to say about themselves:  &#xD;
  We're focused on&#xD;
publishing books for authors. In fact, our book publishing&#xD;
professionals have more than 100 collective years of experience&#xD;
editing, designing and selling books. This simple, yet highly&#xD;
sophisticated publishing tool was developed with you, the book-savvy&#xD;
author, in mind.  &#xD;
  As&#xD;
you familiarize yourself with the Wordclay DIY self-publishing wizard,&#xD;
you'll come to appreciate the attention to detail that Wordclay&#xD;
affords. And, best of all, you can self-publish as many books as you&#xD;
like...for free, compliments of Wordclay.  &#xD;
  In&#xD;
addition to our FREE DIY self-publishing wizard, we also offer a&#xD;
variety of services to help you create, distribute and promote a&#xD;
marketable book. We realize you could do it all on your own, but we're&#xD;
here to offer assistance when you just don't have the time or patience&#xD;
to publish your book alone.  &#xD;
    Here are a few of the DIY   self-publishing services to help you:    &#xD;
    Editorial Services  |  Content Design  |  Cover and Graphic Design  |  Channel Distribution  |  Marketing Support  |  more...   &#xD;
    &#xD;
  Watcha video about them here: http://www.youtube.com/watch?v=875xxa5MAWI</content:encoded>
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      <pubDate>Sun, 27 Apr 2008 07:14:47 GMT</pubDate>
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        <media:credit role="publishing company" scheme="urn:ebu">The Old Dream Club</media:credit>
        <media:description>Check out this new self publishing service called Wordclay.com. at http://wordclay.com  &#xD;
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  It looks really good for all you writers out there.  &#xD;
  Here is what they have to say about themselves:  &#xD;
  We're focused on&#xD;
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professionals have more than 100 collective years of experience&#xD;
editing, designing and selling books. This simple, yet highly&#xD;
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  As&#xD;
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you'll come to appreciate the attention to detail that Wordclay&#xD;
affords. And, best of all, you can self-publish as many books as you&#xD;
like...for free, compliments of Wordclay.  &#xD;
  In&#xD;
addition to our FREE DIY self-publishing wizard, we also offer a&#xD;
variety of services to help you create, distribute and promote a&#xD;
marketable book. We realize you could do it all on your own, but we're&#xD;
here to offer assistance when you just don't have the time or patience&#xD;
to publish your book alone.  &#xD;
    Here are a few of the DIY   self-publishing services to help you:    &#xD;
    Editorial Services  |  Content Design  |  Cover and Graphic Design  |  Channel Distribution  |  Marketing Support  |  more...   &#xD;
    &#xD;
  Watcha video about them here: http://www.youtube.com/watch?v=875xxa5MAWI</media:description>
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      <title>The Power of Commitment</title>
      <link>http://community.mydreampower.com/_The-Power-of-Commitment/BLOG/53356/22042.html</link>
      <description>Tama's Musings         &#xD;
        Dive In and You'll Make the Water Warm:   The Power of Commitment           Are you waiting for something wonderful to happen? Forget waiting.&#xD;
Commitment to the life you desire changes absolutely everything. Lack&#xD;
of commitment changes absolutely everything, too. Commitment is the&#xD;
magic wand, the sorcerer behind the bush, the technical support of the&#xD;
Gods.     But let's keep it simple: If you're not watering you're garden, you're killing it.     I have always struggled with commitment. It seems like a guillotine to&#xD;
me, a bit final. Now me, I like choice. I like walking in the meadows&#xD;
and gazing at all the wildflowers and options. I hate decision. Oh,&#xD;
and sweet mother of prairie dogs, I hate being wrong.     But here's something I'm seeing now, in my middle years. The lack of&#xD;
commitment is a ruptured power line. It leaks energy. Nothing ramps up&#xD;
without it. There are no perfect circumstances. But when we show up&#xD;
with love, focus, and patience, we perfect the circumstances we have.&#xD;
Then everything opens into a new dimension of good and possibility. Or&#xD;
as one of my favorite brilliant dudes, Ralph Waldo Emerson, said, "The&#xD;
only thing that can grow is the thing you give energy to."     So let's talk about diving in full force, shall we?      Commitment Brings Clarity      Sometimes you think you need more information before you&#xD;
commit your devotion. But devotion will give you more information than&#xD;
any other research.     I'll give you an example I've seen when coaching writers. Many people&#xD;
who want to write say, "I don't write because I have no idea what to&#xD;
write about." But I know that sitting down to write is one of the only&#xD;
ways to get clear. Clarity doesn't come out of the blue. It comes out&#xD;
of a black and white decision to delve into our confusion.     When I started writing my second book, it felt like writing in outer&#xD;
space. There was nothing there, but fog, stray molecules, and the ever&#xD;
present existential longing for thin thighs. But I told myself what I&#xD;
tell my writing students,  "The writing itself knows what wants to be written."   So I knew if I sat there consistently and with patience, something pure&#xD;
and true would come. Nowadays, I can't wait to write. I've mucked&#xD;
around with goop and space and finally named a shape. Now I've plucked&#xD;
a star.      Commitment is A Way to Grow      Years ago I went to couples therapy with my loved one. The&#xD;
therapist asked me if I was committed to the relationship. I stared at&#xD;
him in frustration. You're supposed to be the wizard, I thought. You're&#xD;
supposed to fix this broken carriage and then I'd be happy to commit to&#xD;
jumping right in. But he politely explained, that my commitment would&#xD;
be required if I wanted to move forward. Of course, since he was a&#xD;
therapist, we had to go rooting around into my fear of commitment. "I&#xD;
don't want to miss out on anything," I told him. "What if I commit to&#xD;
this almost relationship, and then Mr.-Oh-My-God- I'm-So- Perfect walks&#xD;
in the door two minutes later." The therapist looked at me coolly,&#xD;
probably with great empathy for the partner who had to live with me,&#xD;
and said, "You don't want to miss out, but you're missing out right&#xD;
now. You're missing out on the relationship in front of you." Wow,&#xD;
those therapists. That's why they get to talk to us about our mothers.&#xD;
Because every now and then they say something that will save you a&#xD;
thousand years of bad choices. I realized then that I would never be&#xD;
able to commit to a relationship only when it was perfect. I'd have to&#xD;
dive in and commit and that would bring out its perfection. You can't&#xD;
have certain experiences in the shallow end of the pool. There's just&#xD;
some lessons that only come with immersion. In the wisdom tradition of  A Course in Miracles  , it says, "Whatever is lacking in any situation, is what you're not giving to it."     Yeah, exactly. Everything good in my life requires my effort, my love, my dedication.      Commit Fully For Now, Not Forever      When I was deciding what career direction to move in, I was&#xD;
terrified of making a mistake. I didn't want to waste my time, so of&#xD;
course I wasted my time by obstinately not doing anything. I didn't&#xD;
want to go forward in the wrong direction. But the problem was-- I&#xD;
wasn't going forward in  any  direction. After a while, options&#xD;
turn into dead fish. They start smelling up the room. It's the aroma of&#xD;
guilt and waste and passing time. You need to use your options while&#xD;
they're fresh. I felt haunted and frustrated and depleted all at the&#xD;
same time. Finally, a friend of mine said to me "Why not commit fully&#xD;
for now? You don't have to commit to forever. Just commit fully for&#xD;
now."     I know this seems like a coward's way in, but let me tell you it works&#xD;
wonders. Commitment is a living thing. I believe we can only commit&#xD;
fully to the moment in front of us. But I had stopped doing that,&#xD;
believing that if I couldn't stay with something forever, then I&#xD;
shouldn't even go into it. I had no way of getting vital information&#xD;
and experience. Nowadays, when I'm coaching someone who is afraid to&#xD;
trust their instincts, I'll ask them to practice trusting for a day, a&#xD;
week, or 3 months, and then to evaluate their experience. Most often,&#xD;
someone wants to evaluate their experience before or while they're&#xD;
engaged in the activity. But it doesn't work like that. First you&#xD;
experiment. Then you look over your data.  &#xD;
  ***************  &#xD;
  So, dear one, where would you like to see your life take off? Where do&#xD;
you want to summon energy, clarity, and a touch of invisible helping&#xD;
hands? Where do you want to commit your focus and attention? Just&#xD;
think, you could be sprouting flowers by the next email newsletter. Or&#xD;
you could still be standing by the bus stop waiting for a bus---that&#xD;
never comes by waiting.     I leave you with my love and with these words by poet and filmmaker&#xD;
James Broughton: "Whatever the price, pay attention. Pay attention&#xD;
whatever price it asks. Otherwise you will pay through the nose for&#xD;
your non-attention."     With my love and blessings,&#xD;
      [image]   Tama      &amp;copy;Copyright 2008 Tama J. Kieves.  All rights reserved.     Feel free to forward this copy to anyone you think might enjoy it.   Please keep the entire message intact, including contact, logo, and copyright information. Thank you.    &#xD;
  &#xD;
  &#xD;
      Want to discuss this or any other aspect of living your dreams? Please visit our free discussion forum at:          http://www.awakeningartist ry.com/resources.discussion.html</description>
      <content:encoded>Tama's Musings         &#xD;
        Dive In and You'll Make the Water Warm:   The Power of Commitment           Are you waiting for something wonderful to happen? Forget waiting.&#xD;
Commitment to the life you desire changes absolutely everything. Lack&#xD;
of commitment changes absolutely everything, too. Commitment is the&#xD;
magic wand, the sorcerer behind the bush, the technical support of the&#xD;
Gods.     But let's keep it simple: If you're not watering you're garden, you're killing it.     I have always struggled with commitment. It seems like a guillotine to&#xD;
me, a bit final. Now me, I like choice. I like walking in the meadows&#xD;
and gazing at all the wildflowers and options. I hate decision. Oh,&#xD;
and sweet mother of prairie dogs, I hate being wrong.     But here's something I'm seeing now, in my middle years. The lack of&#xD;
commitment is a ruptured power line. It leaks energy. Nothing ramps up&#xD;
without it. There are no perfect circumstances. But when we show up&#xD;
with love, focus, and patience, we perfect the circumstances we have.&#xD;
Then everything opens into a new dimension of good and possibility. Or&#xD;
as one of my favorite brilliant dudes, Ralph Waldo Emerson, said, "The&#xD;
only thing that can grow is the thing you give energy to."     So let's talk about diving in full force, shall we?      Commitment Brings Clarity      Sometimes you think you need more information before you&#xD;
commit your devotion. But devotion will give you more information than&#xD;
any other research.     I'll give you an example I've seen when coaching writers. Many people&#xD;
who want to write say, "I don't write because I have no idea what to&#xD;
write about." But I know that sitting down to write is one of the only&#xD;
ways to get clear. Clarity doesn't come out of the blue. It comes out&#xD;
of a black and white decision to delve into our confusion.     When I started writing my second book, it felt like writing in outer&#xD;
space. There was nothing there, but fog, stray molecules, and the ever&#xD;
present existential longing for thin thighs. But I told myself what I&#xD;
tell my writing students,  "The writing itself knows what wants to be written."   So I knew if I sat there consistently and with patience, something pure&#xD;
and true would come. Nowadays, I can't wait to write. I've mucked&#xD;
around with goop and space and finally named a shape. Now I've plucked&#xD;
a star.      Commitment is A Way to Grow      Years ago I went to couples therapy with my loved one. The&#xD;
therapist asked me if I was committed to the relationship. I stared at&#xD;
him in frustration. You're supposed to be the wizard, I thought. You're&#xD;
supposed to fix this broken carriage and then I'd be happy to commit to&#xD;
jumping right in. But he politely explained, that my commitment would&#xD;
be required if I wanted to move forward. Of course, since he was a&#xD;
therapist, we had to go rooting around into my fear of commitment. "I&#xD;
don't want to miss out on anything," I told him. "What if I commit to&#xD;
this almost relationship, and then Mr.-Oh-My-God- I'm-So- Perfect walks&#xD;
in the door two minutes later." The therapist looked at me coolly,&#xD;
probably with great empathy for the partner who had to live with me,&#xD;
and said, "You don't want to miss out, but you're missing out right&#xD;
now. You're missing out on the relationship in front of you." Wow,&#xD;
those therapists. That's why they get to talk to us about our mothers.&#xD;
Because every now and then they say something that will save you a&#xD;
thousand years of bad choices. I realized then that I would never be&#xD;
able to commit to a relationship only when it was perfect. I'd have to&#xD;
dive in and commit and that would bring out its perfection. You can't&#xD;
have certain experiences in the shallow end of the pool. There's just&#xD;
some lessons that only come with immersion. In the wisdom tradition of  A Course in Miracles  , it says, "Whatever is lacking in any situation, is what you're not giving to it."     Yeah, exactly. Everything good in my life requires my effort, my love, my dedication.      Commit Fully For Now, Not Forever      When I was deciding what career direction to move in, I was&#xD;
terrified of making a mistake. I didn't want to waste my time, so of&#xD;
course I wasted my time by obstinately not doing anything. I didn't&#xD;
want to go forward in the wrong direction. But the problem was-- I&#xD;
wasn't going forward in  any  direction. After a while, options&#xD;
turn into dead fish. They start smelling up the room. It's the aroma of&#xD;
guilt and waste and passing time. You need to use your options while&#xD;
they're fresh. I felt haunted and frustrated and depleted all at the&#xD;
same time. Finally, a friend of mine said to me "Why not commit fully&#xD;
for now? You don't have to commit to forever. Just commit fully for&#xD;
now."     I know this seems like a coward's way in, but let me tell you it works&#xD;
wonders. Commitment is a living thing. I believe we can only commit&#xD;
fully to the moment in front of us. But I had stopped doing that,&#xD;
believing that if I couldn't stay with something forever, then I&#xD;
shouldn't even go into it. I had no way of getting vital information&#xD;
and experience. Nowadays, when I'm coaching someone who is afraid to&#xD;
trust their instincts, I'll ask them to practice trusting for a day, a&#xD;
week, or 3 months, and then to evaluate their experience. Most often,&#xD;
someone wants to evaluate their experience before or while they're&#xD;
engaged in the activity. But it doesn't work like that. First you&#xD;
experiment. Then you look over your data.  &#xD;
  ***************  &#xD;
  So, dear one, where would you like to see your life take off? Where do&#xD;
you want to summon energy, clarity, and a touch of invisible helping&#xD;
hands? Where do you want to commit your focus and attention? Just&#xD;
think, you could be sprouting flowers by the next email newsletter. Or&#xD;
you could still be standing by the bus stop waiting for a bus---that&#xD;
never comes by waiting.     I leave you with my love and with these words by poet and filmmaker&#xD;
James Broughton: "Whatever the price, pay attention. Pay attention&#xD;
whatever price it asks. Otherwise you will pay through the nose for&#xD;
your non-attention."     With my love and blessings,&#xD;
      [image]   Tama      &amp;copy;Copyright 2008 Tama J. Kieves.  All rights reserved.     Feel free to forward this copy to anyone you think might enjoy it.   Please keep the entire message intact, including contact, logo, and copyright information. Thank you.    &#xD;
  &#xD;
  &#xD;
      Want to discuss this or any other aspect of living your dreams? Please visit our free discussion forum at:          http://www.awakeningartist ry.com/resources.discussion.html</content:encoded>
      <enclosure url="http://media.kickstatic.com/kickapps/images/22042/photos/PHOTO_998178_22042_2045228_ap_100X75.jpg" type="text/html" />
      <pubDate>Sat, 26 Apr 2008 07:11:47 GMT</pubDate>
      <guid>http://community.mydreampower.com/_The-Power-of-Commitment/BLOG/53356/22042.html</guid>
      <dc:creator>spiritdancer</dc:creator>
      <dc:date>2008-04-26T07:11:47Z</dc:date>
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        <media:category>Living your dream</media:category>
        <media:credit role="publishing company" scheme="urn:ebu">The Old Dream Club</media:credit>
        <media:description>Tama's Musings         &#xD;
        Dive In and You'll Make the Water Warm:   The Power of Commitment           Are you waiting for something wonderful to happen? Forget waiting.&#xD;
Commitment to the life you desire changes absolutely everything. Lack&#xD;
of commitment changes absolutely everything, too. Commitment is the&#xD;
magic wand, the sorcerer behind the bush, the technical support of the&#xD;
Gods.     But let's keep it simple: If you're not watering you're garden, you're killing it.     I have always struggled with commitment. It seems like a guillotine to&#xD;
me, a bit final. Now me, I like choice. I like walking in the meadows&#xD;
and gazing at all the wildflowers and options. I hate decision. Oh,&#xD;
and sweet mother of prairie dogs, I hate being wrong.     But here's something I'm seeing now, in my middle years. The lack of&#xD;
commitment is a ruptured power line. It leaks energy. Nothing ramps up&#xD;
without it. There are no perfect circumstances. But when we show up&#xD;
with love, focus, and patience, we perfect the circumstances we have.&#xD;
Then everything opens into a new dimension of good and possibility. Or&#xD;
as one of my favorite brilliant dudes, Ralph Waldo Emerson, said, "The&#xD;
only thing that can grow is the thing you give energy to."     So let's talk about diving in full force, shall we?      Commitment Brings Clarity      Sometimes you think you need more information before you&#xD;
commit your devotion. But devotion will give you more information than&#xD;
any other research.     I'll give you an example I've seen when coaching writers. Many people&#xD;
who want to write say, "I don't write because I have no idea what to&#xD;
write about." But I know that sitting down to write is one of the only&#xD;
ways to get clear. Clarity doesn't come out of the blue. It comes out&#xD;
of a black and white decision to delve into our confusion.     When I started writing my second book, it felt like writing in outer&#xD;
space. There was nothing there, but fog, stray molecules, and the ever&#xD;
present existential longing for thin thighs. But I told myself what I&#xD;
tell my writing students,  "The writing itself knows what wants to be written."   So I knew if I sat there consistently and with patience, something pure&#xD;
and true would come. Nowadays, I can't wait to write. I've mucked&#xD;
around with goop and space and finally named a shape. Now I've plucked&#xD;
a star.      Commitment is A Way to Grow      Years ago I went to couples therapy with my loved one. The&#xD;
therapist asked me if I was committed to the relationship. I stared at&#xD;
him in frustration. You're supposed to be the wizard, I thought. You're&#xD;
supposed to fix this broken carriage and then I'd be happy to commit to&#xD;
jumping right in. But he politely explained, that my commitment would&#xD;
be required if I wanted to move forward. Of course, since he was a&#xD;
therapist, we had to go rooting around into my fear of commitment. "I&#xD;
don't want to miss out on anything," I told him. "What if I commit to&#xD;
this almost relationship, and then Mr.-Oh-My-God- I'm-So- Perfect walks&#xD;
in the door two minutes later." The therapist looked at me coolly,&#xD;
probably with great empathy for the partner who had to live with me,&#xD;
and said, "You don't want to miss out, but you're missing out right&#xD;
now. You're missing out on the relationship in front of you." Wow,&#xD;
those therapists. That's why they get to talk to us about our mothers.&#xD;
Because every now and then they say something that will save you a&#xD;
thousand years of bad choices. I realized then that I would never be&#xD;
able to commit to a relationship only when it was perfect. I'd have to&#xD;
dive in and commit and that would bring out its perfection. You can't&#xD;
have certain experiences in the shallow end of the pool. There's just&#xD;
some lessons that only come with immersion. In the wisdom tradition of  A Course in Miracles  , it says, "Whatever is lacking in any situation, is what you're not giving to it."     Yeah, exactly. Everything good in my life requires my effort, my love, my dedication.      Commit Fully For Now, Not Forever      When I was deciding what career direction to move in, I was&#xD;
terrified of making a mistake. I didn't want to waste my time, so of&#xD;
course I wasted my time by obstinately not doing anything. I didn't&#xD;
want to go forward in the wrong direction. But the problem was-- I&#xD;
wasn't going forward in  any  direction. After a while, options&#xD;
turn into dead fish. They start smelling up the room. It's the aroma of&#xD;
guilt and waste and passing time. You need to use your options while&#xD;
they're fresh. I felt haunted and frustrated and depleted all at the&#xD;
same time. Finally, a friend of mine said to me "Why not commit fully&#xD;
for now? You don't have to commit to forever. Just commit fully for&#xD;
now."     I know this seems like a coward's way in, but let me tell you it works&#xD;
wonders. Commitment is a living thing. I believe we can only commit&#xD;
fully to the moment in front of us. But I had stopped doing that,&#xD;
believing that if I couldn't stay with something forever, then I&#xD;
shouldn't even go into it. I had no way of getting vital information&#xD;
and experience. Nowadays, when I'm coaching someone who is afraid to&#xD;
trust their instincts, I'll ask them to practice trusting for a day, a&#xD;
week, or 3 months, and then to evaluate their experience. Most often,&#xD;
someone wants to evaluate their experience before or while they're&#xD;
engaged in the activity. But it doesn't work like that. First you&#xD;
experiment. Then you look over your data.  &#xD;
  ***************  &#xD;
  So, dear one, where would you like to see your life take off? Where do&#xD;
you want to summon energy, clarity, and a touch of invisible helping&#xD;
hands? Where do you want to commit your focus and attention? Just&#xD;
think, you could be sprouting flowers by the next email newsletter. Or&#xD;
you could still be standing by the bus stop waiting for a bus---that&#xD;
never comes by waiting.     I leave you with my love and with these words by poet and filmmaker&#xD;
James Broughton: "Whatever the price, pay attention. Pay attention&#xD;
whatever price it asks. Otherwise you will pay through the nose for&#xD;
your non-attention."     With my love and blessings,&#xD;
      [image]   Tama      &amp;copy;Copyright 2008 Tama J. Kieves.  All rights reserved.     Feel free to forward this copy to anyone you think might enjoy it.   Please keep the entire message intact, including contact, logo, and copyright information. Thank you.    &#xD;
  &#xD;
  &#xD;
      Want to discuss this or any other aspect of living your dreams? Please visit our free discussion forum at:          http://www.awakeningartist ry.com/resources.discussion.html</media:description>
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      <title>Does money buy happiness</title>
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      <description>KUOW 94.9 in Seattle. Talks about the relationship between money and happiness.</description>
      <content:encoded>KUOW 94.9 in Seattle. Talks about the relationship between money and happiness.</content:encoded>
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      <pubDate>Thu, 24 Apr 2008 19:36:24 GMT</pubDate>
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      <dc:creator>spiritdancer</dc:creator>
      <dc:date>2008-04-24T19:36:24Z</dc:date>
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      <title>Give it up and trust God!</title>
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      <description>Yup giving it all up to God is the only way. Today I woke up feeling so&#xD;
down. It's crazy. I was lost in my head again! why do I keep doing&#xD;
that. it's usually triggered by a survival crisis. like having to pay&#xD;
the rent. that freaks out my wife and then i feel pressured to perform.&#xD;
then I start thinking about how I alone can make this work. then i&#xD;
start forming all kids of plans etc. this is not the way. so I just&#xD;
gave it all up and you know what a miraculous thing happened. first I&#xD;
felt immensely better. how am i going to do the movie? where am i going&#xD;
to get the money? I have no idea1 but i feel good and i realize now as&#xD;
I have realized many times before that this good feeling of peace is&#xD;
really really important. I should never leave it. I don't care what is&#xD;
happening. if the lights are bout to get cut off or if the rent is due.&#xD;
never leave this place.    The miraculous thing is now i feel&#xD;
guided to solutions. like for instance even though I did not plan to&#xD;
make calls logically with a set schedule today. I actually feel like&#xD;
making calls. why because i don't have to. i should never set schedules&#xD;
where I have to do something. that is a guaranteed way to get me to&#xD;
feel pressure and then do it from a fearful place. like "I have to make&#xD;
calls and I have to get donations etc. " this is the wrong way. let it&#xD;
all go and let the spirit guide your actions. how do you know. by how&#xD;
peaceful and joyful it feels. if you can't do it from this place then&#xD;
don't do it at all.     its like to get results I have to get in a place where I don't care&#xD;
about results. then I get the results. to not care means to not be&#xD;
afraid of the outcome. to not care if I fail. the only way to be in&#xD;
that place is to rest fully in god's grace. to really believe that god&#xD;
is there for you. if you depend or look to the world for solutions&#xD;
then you will be inherently fearful. so it is a paradox. to get good&#xD;
results from the world you must give up the world and depend fully on&#xD;
god then you can be guided to the right solutions.    What do you feel like doing?    Do that.</description>
      <content:encoded>Yup giving it all up to God is the only way. Today I woke up feeling so&#xD;
down. It's crazy. I was lost in my head again! why do I keep doing&#xD;
that. it's usually triggered by a survival crisis. like having to pay&#xD;
the rent. that freaks out my wife and then i feel pressured to perform.&#xD;
then I start thinking about how I alone can make this work. then i&#xD;
start forming all kids of plans etc. this is not the way. so I just&#xD;
gave it all up and you know what a miraculous thing happened. first I&#xD;
felt immensely better. how am i going to do the movie? where am i going&#xD;
to get the money? I have no idea1 but i feel good and i realize now as&#xD;
I have realized many times before that this good feeling of peace is&#xD;
really really important. I should never leave it. I don't care what is&#xD;
happening. if the lights are bout to get cut off or if the rent is due.&#xD;
never leave this place.    The miraculous thing is now i feel&#xD;
guided to solutions. like for instance even though I did not plan to&#xD;
make calls logically with a set schedule today. I actually feel like&#xD;
making calls. why because i don't have to. i should never set schedules&#xD;
where I have to do something. that is a guaranteed way to get me to&#xD;
feel pressure and then do it from a fearful place. like "I have to make&#xD;
calls and I have to get donations etc. " this is the wrong way. let it&#xD;
all go and let the spirit guide your actions. how do you know. by how&#xD;
peaceful and joyful it feels. if you can't do it from this place then&#xD;
don't do it at all.     its like to get results I have to get in a place where I don't care&#xD;
about results. then I get the results. to not care means to not be&#xD;
afraid of the outcome. to not care if I fail. the only way to be in&#xD;
that place is to rest fully in god's grace. to really believe that god&#xD;
is there for you. if you depend or look to the world for solutions&#xD;
then you will be inherently fearful. so it is a paradox. to get good&#xD;
results from the world you must give up the world and depend fully on&#xD;
god then you can be guided to the right solutions.    What do you feel like doing?    Do that.</content:encoded>
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      <pubDate>Wed, 23 Apr 2008 01:54:09 GMT</pubDate>
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      <dc:creator>spiritdancer</dc:creator>
      <dc:date>2008-04-23T01:54:09Z</dc:date>
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        <media:description>Yup giving it all up to God is the only way. Today I woke up feeling so&#xD;
down. It's crazy. I was lost in my head again! why do I keep doing&#xD;
that. it's usually triggered by a survival crisis. like having to pay&#xD;
the rent. that freaks out my wife and then i feel pressured to perform.&#xD;
then I start thinking about how I alone can make this work. then i&#xD;
start forming all kids of plans etc. this is not the way. so I just&#xD;
gave it all up and you know what a miraculous thing happened. first I&#xD;
felt immensely better. how am i going to do the movie? where am i going&#xD;
to get the money? I have no idea1 but i feel good and i realize now as&#xD;
I have realized many times before that this good feeling of peace is&#xD;
really really important. I should never leave it. I don't care what is&#xD;
happening. if the lights are bout to get cut off or if the rent is due.&#xD;
never leave this place.    The miraculous thing is now i feel&#xD;
guided to solutions. like for instance even though I did not plan to&#xD;
make calls logically with a set schedule today. I actually feel like&#xD;
making calls. why because i don't have to. i should never set schedules&#xD;
where I have to do something. that is a guaranteed way to get me to&#xD;
feel pressure and then do it from a fearful place. like "I have to make&#xD;
calls and I have to get donations etc. " this is the wrong way. let it&#xD;
all go and let the spirit guide your actions. how do you know. by how&#xD;
peaceful and joyful it feels. if you can't do it from this place then&#xD;
don't do it at all.     its like to get results I have to get in a place where I don't care&#xD;
about results. then I get the results. to not care means to not be&#xD;
afraid of the outcome. to not care if I fail. the only way to be in&#xD;
that place is to rest fully in god's grace. to really believe that god&#xD;
is there for you. if you depend or look to the world for solutions&#xD;
then you will be inherently fearful. so it is a paradox. to get good&#xD;
results from the world you must give up the world and depend fully on&#xD;
god then you can be guided to the right solutions.    What do you feel like doing?    Do that.</media:description>
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      <title>Learn why Sophocles is the best Screenwriting Software</title>
      <link>http://community.mydreampower.com/_Learn-why-Sophocles-is-the-best-Screenwriting-Software/BLOG/52082/22042.html</link>
      <description>sophocles  &#xD;
   wikipage start  &#xD;
    Sophocles   is a screenwriting program that currently comes in two &amp;ldquo;flavors&amp;rdquo;: The  &amp;ldquo;original&amp;rdquo;  , known as &amp;ldquo;  Sophocles 2003  &amp;ldquo;, and the  &amp;ldquo;Beta&amp;rdquo;  , now called &amp;ldquo;  Sophocles 2007  &amp;ldquo;.  &#xD;
  The original was in its own right a fantastic screenwriting program,&#xD;
with all the bells-and-whistle one needed not only to write one&amp;rsquo;s&#xD;
screenplay, but also to handle revisions and breakdowns. It was, and&#xD;
still is, extremely reasonable in terms of price, only $120, with 50%&#xD;
discounts for academic users. It would still be a deal at twice the&#xD;
price.  &#xD;
  Highly intuitive, Sophocles allows one to easily work, and write, in terms of Acts, Sequences, and Scenes.  &#xD;
  Unlike bloated versions of other screenwriting programs, this&#xD;
program is lean and mean in terms of file size, but full-featured in&#xD;
every way. One has to really try it to fully appreciate it. With the&#xD;
downloadable Sophocles 2003 demo (which one can get here:  http://www.sophocles.net/download.asp )&#xD;
one really can &amp;ldquo;try before one buys&amp;rdquo;, without those &amp;ldquo;30-day&amp;rdquo; or&#xD;
&amp;ldquo;15-page&amp;rdquo; limits other screenwriting program &amp;ldquo;trial versions&amp;rdquo; have.&#xD;
With Sophocles the &amp;ldquo;trial&amp;rdquo; is the full-blown program, and one could&#xD;
actually write an entire screenplay, with the only limitation being&#xD;
that printout output displaying a watermark, if I remember correctly.  &#xD;
  Online Registration is a breeze, and one can actually have THREE&#xD;
concurrent instances of Sophocles installed at the same time on THREE&#xD;
different computers, WITHOUT having to have a installation CD, or some&#xD;
other onerous software protection scheme to deal with. That ends the&#xD;
problem of having 1) a work computer, 2) a home computer, and 3) a&#xD;
laptop, and wanting to work on a script using Sophocles.  &#xD;
  Should you either &amp;ldquo;crash&amp;rdquo; your computer, or get a new one,&#xD;
reinstalling the software, or installing it again, is a breeze, as is&#xD;
adding on those computers. All it takes is typing two or three bits of&#xD;
information on an online validation tool, and and email arrives with&#xD;
the unlock codes!  &#xD;
  I&amp;rsquo;ve actually got THREE instances of the Sophocles 2003 and THREE&#xD;
instances of Sophocles 2007 Beta running on my various computers, and&#xD;
have easily added on new computers as I got new ones and got rid of old&#xD;
ones.  &#xD;
  The  &amp;ldquo;Beta&amp;rdquo; version  , which one gets for free right now when one buys the &amp;ldquo;Original&amp;rdquo; version, adds all the bells-and-whistles of a  full-blown Production Manager Program   for budgeting, scheduling, and breakdowns,    that one would normally otherwise have to purchase separately, at the cost of several thousands of dollars    !  &#xD;
  While other Screenwriting programs, such as Movie Magic Screenwriter&#xD;
export such data to Movie Magic Budgeting and Movie Magic Scheduling&#xD;
(both programs now sold to Entertainment Partners, or EP, which has&#xD;
re-branded these two industry standards under their own banner),&#xD;
Sophocles 2007 Beta does it all from within the same program, and all&#xD;
without any additional cost to purchase those kind of programs! It&amp;rsquo;s&#xD;
&amp;ldquo;built-into&amp;rdquo; Sophocles 2007 PM Beta, and not an &amp;ldquo;add-on&amp;rdquo; or external&#xD;
program that needs to be exported to.  &#xD;
    A smart person would buy Sophocles 2003 now for $120 just to&#xD;
get the free Sophocles 2007 Beta (and subsequent upgrades) for free&#xD;
while they still can, since one is literally saving thousands of&#xD;
dollars on the software.    &#xD;
  My guess is that after the &amp;ldquo;Beta&amp;rdquo; period ends, the &amp;ldquo;full-blown&amp;rdquo;&#xD;
Production Management Version of Sophocles 2007 will cost in the $1,000&#xD;
range (SEE below for more info on the different &amp;ldquo;versions&amp;rdquo; it will&#xD;
have.) Buy the Sophocles 2003 version NOW so you get the full upgrade&#xD;
to Sophocles 2007 PM for FREE while it is still in Beta. Once Sophocles&#xD;
2007 goes out of Beta, all the &amp;ldquo;free upgrade&amp;rdquo; deals are off. Only a&#xD;
fool would not take advantage of this unbelievable offer!  &#xD;
  So why should a Screenwriter care about Production Features? Right&#xD;
off the bat, it encourages leaner, tighter, and more logical&#xD;
screenwriting since one can easily see errors in slug lines, character&#xD;
names and character aliases, and just how many locations one&amp;rsquo;s script&#xD;
is really using. One can even estimate how long a shooting schedule&#xD;
one&amp;rsquo;s script could take, and how much it could cost to produce.  &#xD;
  The more a Screenwriter knows what happens to his or her script in&#xD;
terms of Production, the better, since they will become much more aware&#xD;
of factors that Producers look at when considering a script for&#xD;
Production.  &#xD;
  Unfortunately, for you Mac users, there is no Mac Version, but with&#xD;
the new Mac upcoming operating system and computers that will run&#xD;
Windows programs, that should no longer be a limiting factor.  &#xD;
  I have tried ALL of the &amp;ldquo;major&amp;rdquo;, and most of the &amp;ldquo;minor&amp;rdquo;&#xD;
Screenwriting Programs out there, and would have to say that in terms&#xD;
of features and value vs. price NOTHING beats Sophocles, not even the&#xD;
so-called &amp;ldquo;free programs&amp;rdquo; like Celtx!  &#xD;
  You really have to download the demo, and check out some of the&#xD;
features of BOTH the original AND the Beta version to really appreciate&#xD;
Sophocles for the fantastic program that it really is!  &#xD;
  And no, I don&amp;rsquo;t have anything to do with the company at all... It&amp;rsquo;s just THAT good a program!  &#xD;
  If I had had this program in Film School when I was getting my MFA in&#xD;
the USC Stark Producing Program, things would have been a heck of a lot&#xD;
easier! Even a fellow Starkie like John August might have switched from&#xD;
his Mac to a PC back then just to have been able to use Sophocles 2007&#xD;
and its features!  &#xD;
  Review by: ~Starkie~  &#xD;
  ===  &#xD;
  Here&amp;rsquo;s what some others have to say about Sophocles 2003:  &#xD;
  &amp;ldquo;A revelation. The first program I&amp;rsquo;ve found that&amp;rsquo;s actually designed&#xD;
for writing &amp;ndash; not just typing.&amp;rdquo; -Michael Goldenberg (Contact, Peter&#xD;
Pan)  &#xD;
  &amp;ldquo;Highly recommended. This is now the screenwriting program I use&#xD;
regularly.&amp;rdquo; -Charles Deemer, Screenwriters &amp;amp; Playwrights Home Page  &#xD;
  &amp;ldquo;...anyone who writes a script using Sophocles may not want to go back...&amp;rdquo; -Peter Bohush, WriterDirector.com  &#xD;
  &amp;ldquo;I&amp;rsquo;ve been using [a very popular scriptwriting software program] for&#xD;
years now and Sophocles just blows it clean out of the water.&amp;rdquo; -A User  &#xD;
  &amp;ldquo;Wonderful and affordable! It is great!&amp;rdquo; -Eric Colley, The IndieClub  &#xD;
  &amp;ldquo;Sophocles will be my program of choice from now on... If only you&amp;rsquo;d devised it sooner!&amp;rdquo; -Chris Harvey, UK Screenwriter  &#xD;
  &amp;ldquo;Sophocles has the best combination of story development tools,&#xD;
scriptwriting features, and production features of any other&#xD;
scriptwriting software on the market.&amp;rdquo; -Carl Hose, Writer&amp;rsquo;s Inkwell  &#xD;
  ===  &#xD;
  Here&amp;rsquo;s the blurb from the Sophocles Website on the &amp;ldquo;  Original  &amp;rdquo; flavor,  &amp;ldquo;Sophocles 2003&amp;rdquo;  , which can be found at    http://www.sophocles.net/   :  &#xD;
     A New Kind of Screenwriting Software    &#xD;
  Sophocles is a new screenplay software program that emphasizes the&#xD;
writing process. While other script writing software puts the focus on&#xD;
margins and page breaks, Sophocles was conceptualized from the start as&#xD;
a story creation tool for screenwriters. By allowing you to easily&#xD;
navigate and manipulate your story elements, Sophocles helps you craft&#xD;
a tighter, smoother flowing screenplay.  &#xD;
     Professional Screenwriting Format   Default format settings derived from a sample of 50 recent Hollywood screenplays.  &#xD;
    Fully Compatible   Export to and import from all major screenwriting programs and generic word processors.  &#xD;
     Story Centered Design   An interface that directs your&#xD;
attention away from mundane formatting issues while directing it&#xD;
towards the actual creative screenwriting process.  &#xD;
     Get the Big Picture   Tools to help you stay oriented within your story-space, and to easily navigate related scenes and plot points.  &#xD;
    Easy to Use   A clean, uncluttered interface, and an&#xD;
extremely shallow learning curve. If you have prior word processor&#xD;
experience, you can get up to speed in minutes.  &#xD;
  ===  &#xD;
    Sophocles Features    &#xD;
    Scene List   The scene list displays all the scene&#xD;
headers in your script along with a variety of statistical values for&#xD;
each scene. You can sort the list according to any of these values by&#xD;
clicking on the buttons at the tops of the columns. Double clicking on&#xD;
an entry jumps you immediately to that scene.  &#xD;
  The first paragraph of the selected scene appears at the bottom of&#xD;
the list, along with scene notes and a synopsis. As with the other&#xD;
lists, the scene list can be exported to a spreadsheet or database&#xD;
application by clicking on the save button.  &#xD;
     Dyad List   A &amp;ldquo;dyad&amp;rdquo; is a pair of related characters.&#xD;
The dyad list displays all the dyads in your script, along with an&#xD;
indication of the relative strength of the relationship between the two&#xD;
characters (a measure of how frequently they speak to each other). The&#xD;
strength values are scaled such that the strongest dyad scores one&#xD;
hundred.  &#xD;
  The tool&amp;rsquo;s bookmark button allows you to mark all locations where the members of the selected dyad speak to each other.  &#xD;
    Title Page Editor   The title page editor provides&#xD;
a quick and easy way to generate an industry-standard title page for&#xD;
your screenplay. Also, when production mode is active and you&amp;rsquo;re&#xD;
generating revision sheets, the title page editor allows you to specify&#xD;
the placement of revision slugs.  &#xD;
     Statistical Analysis   How many scenes are in the&#xD;
typical screenplay? How many characters? What proportion of a typical&#xD;
script is dialogue? How long is the typical scene? The answers vary&#xD;
greatly from one writer to the next, of course, and from one genre to&#xD;
another, but if you&amp;rsquo;re too far off the mark your screenplay won&amp;rsquo;t seem&#xD;
professional.  &#xD;
  Sophocles&amp;rsquo; statistical analysis feature helps get you on the mark.&#xD;
When used in conjunction with the import tool, you can download&#xD;
screenplays from the Web and compare your own stats to those of your&#xD;
favorite writers&amp;rsquo;.  &#xD;
    Outline Report   This tool allows you to view your scene headers, synopses and notes in an outline format.  &#xD;
    True Thesaurus   Sophocles provides a true&#xD;
thesaurus &amp;ndash; not just a synonym dictionary. By allowing you to explore&#xD;
clusters of word meanings and to follow paths of word associations,&#xD;
Sophocles&amp;rsquo; thesaurus helps you brainstorm ways of reworking your&#xD;
sentences, and it also serves as an effective &amp;ldquo;metaphor finder&amp;rdquo;.  &#xD;
     Character List   The character list displays all the&#xD;
speaking roles in your script, along with a variety of statistical&#xD;
values for each. The report can be sorted by any of these values, or&#xD;
exported to a spreadsheet or database application.  &#xD;
  The Dialogue button lets you view and edit all the dialogue for the&#xD;
selected character. This is a great way to work on the distinctiveness&#xD;
and consistency of your characters&amp;rsquo; speech patterns.  &#xD;
    Bookmark Tool   This tool allows you to save and load up to sixteen &amp;ldquo;bookmark collections.&amp;rdquo;  &#xD;
  ==  &#xD;
  Sophocles gives you industry standard format by default, but if you&#xD;
have special formatting needs you can go &amp;ldquo;under the hood&amp;rdquo; and change&#xD;
the settings described below. Each of the screenshots on this page&#xD;
corresponds to a &amp;ldquo;tab&amp;rdquo; on the print format tool, which can be accessed&#xD;
by activating the print-preview window and clicking the Edit Format&#xD;
button.  &#xD;
    General Formats Tab   Here you specify font and&#xD;
page number information and how to split dialogue across pages.&#xD;
Functionality includes the ability to include act and scene information&#xD;
as a part of the page number (as required by television and stageplay&#xD;
formats), and the ability to adjust line-per-inch and letter-per-inch&#xD;
values for fine tuning your page count.  &#xD;
     Margins Tab   Defines margin settings for each of the ten paragraph types and for dual column dialogue.  &#xD;
    Paragraphs Tab   Determines special formatting characteristics and line-spacing values for each paragraph type.  &#xD;
    Page Breaks Tab   Determines the rules used for breaking each of the paragraph types across pages.  &#xD;
    Production Formats Tab   Contains formatting options that apply when production mode is active.  &#xD;
  Feature List  &#xD;
  &#xD;
  &#xD;
  Fully automated revision handling and scene numbering.  &#xD;
  &#xD;
  &#xD;
  A scene notes / synopses tool that remains visible as you write.  &#xD;
  &#xD;
  &#xD;
  Drag-and-drop scenes from one location to another.  &#xD;
  &#xD;
  &#xD;
  7 different reports and lists, the contents of which can be exported to most spreadsheet and database applications.  &#xD;
  &#xD;
  &#xD;
  11 predefined formatting setups.  &#xD;
  &#xD;
  &#xD;
  Import your existing scripts into Sophocles.  &#xD;
  &#xD;
  &#xD;
  Export your scripts to rtf, txt, html, and pdf file formats (not available in the trial version).  &#xD;
  &#xD;
  &#xD;
  Dual column dialogue.  &#xD;
  &#xD;
  &#xD;
  View and edit all the dialogue for a particular character at once.  &#xD;
  &#xD;
  &#xD;
  Intelligent cut-and-paste allows you to specify paragraph types when pasting from another application.  &#xD;
  &#xD;
  &#xD;
  Unique timing feature tells you at a glance when a scene is running long.  &#xD;
  &#xD;
  &#xD;
  Spell-checker allows unusual spellings in dialogue (umm, shhhh, t-t-thanks).  &#xD;
  &#xD;
  &#xD;
  Split-view for transplanting a plot&#xD;
point from one scene to another, or for writing a scene that&amp;rsquo;s&#xD;
critically dependent on some other scene.  &#xD;
  &#xD;
  &#xD;
  The easiest to use auto-type functionality you&amp;rsquo;ll find.  &#xD;
  &#xD;
  &#xD;
  Bookmark tool allows you to store and load up to 16 bookmark collections.  &#xD;
  &#xD;
  &#xD;
  Customizable color-coding of paragraph types.  &#xD;
  &#xD;
  &#xD;
  Compressed view for small screens.  &#xD;
  &#xD;
  &#xD;
  Undo/Redo to a depth of 128 actions.  &#xD;
  &#xD;
  &#xD;
  Forward and back buttons (like on your web browser).  &#xD;
  &#xD;
  &#xD;
  E-mail functionality.  &#xD;
  &#xD;
  &#xD;
  Auto-save.  &#xD;
  &#xD;
  &#xD;
  Adjustable line and letter spacing for fine tuning your page count.  &#xD;
  &#xD;
  &#xD;
  ===  &#xD;
  Feature s of the  &amp;ldquo;Sophocles 2007 Beta&amp;rdquo;   version,&#xD;
which one gets for free for now while still in Beta when one purchases&#xD;
&amp;ldquo;Sophocles 2003&amp;rdquo;, including all future updates to Sophocles 2007 once&#xD;
it goes out of Beta, include:  &#xD;
  Beta testing is now underway for the next version of Sophocles. The&#xD;
final commercial release of the program will be split into three&#xD;
editions:  &#xD;
    Sophocles Basic   will include the core word-processing and script-formatting functionality.  &#xD;
    Sophocles Pro   will introduce a variety of story planning, outlining, and visualization tools.  &#xD;
    Sophocles PM   will introduce breakdown, budgeting,&#xD;
scheduling, and reporting capabilities. Sophocles PM is the edition&#xD;
being tested now (the entire program, in other words).    Sophocles PM will be a free upgrade for registered users of Sophocles 2003  .    &#xD;
    Documentation   as to  all the features   of Sophocles 2007 Beta can be found here:  http://www.sophocles.net/beta/webhelp/sophocles.htm   &#xD;
  READ IT! It really explains Sophocles 2007 in much more detail. Once you try it, you will never want to use anything else!  &#xD;
  Source:  http://johnaugust.com/jawiki/sopho cles</description>
      <content:encoded>sophocles  &#xD;
   wikipage start  &#xD;
    Sophocles   is a screenwriting program that currently comes in two &amp;ldquo;flavors&amp;rdquo;: The  &amp;ldquo;original&amp;rdquo;  , known as &amp;ldquo;  Sophocles 2003  &amp;ldquo;, and the  &amp;ldquo;Beta&amp;rdquo;  , now called &amp;ldquo;  Sophocles 2007  &amp;ldquo;.  &#xD;
  The original was in its own right a fantastic screenwriting program,&#xD;
with all the bells-and-whistle one needed not only to write one&amp;rsquo;s&#xD;
screenplay, but also to handle revisions and breakdowns. It was, and&#xD;
still is, extremely reasonable in terms of price, only $120, with 50%&#xD;
discounts for academic users. It would still be a deal at twice the&#xD;
price.  &#xD;
  Highly intuitive, Sophocles allows one to easily work, and write, in terms of Acts, Sequences, and Scenes.  &#xD;
  Unlike bloated versions of other screenwriting programs, this&#xD;
program is lean and mean in terms of file size, but full-featured in&#xD;
every way. One has to really try it to fully appreciate it. With the&#xD;
downloadable Sophocles 2003 demo (which one can get here:  http://www.sophocles.net/download.asp )&#xD;
one really can &amp;ldquo;try before one buys&amp;rdquo;, without those &amp;ldquo;30-day&amp;rdquo; or&#xD;
&amp;ldquo;15-page&amp;rdquo; limits other screenwriting program &amp;ldquo;trial versions&amp;rdquo; have.&#xD;
With Sophocles the &amp;ldquo;trial&amp;rdquo; is the full-blown program, and one could&#xD;
actually write an entire screenplay, with the only limitation being&#xD;
that printout output displaying a watermark, if I remember correctly.  &#xD;
  Online Registration is a breeze, and one can actually have THREE&#xD;
concurrent instances of Sophocles installed at the same time on THREE&#xD;
different computers, WITHOUT having to have a installation CD, or some&#xD;
other onerous software protection scheme to deal with. That ends the&#xD;
problem of having 1) a work computer, 2) a home computer, and 3) a&#xD;
laptop, and wanting to work on a script using Sophocles.  &#xD;
  Should you either &amp;ldquo;crash&amp;rdquo; your computer, or get a new one,&#xD;
reinstalling the software, or installing it again, is a breeze, as is&#xD;
adding on those computers. All it takes is typing two or three bits of&#xD;
information on an online validation tool, and and email arrives with&#xD;
the unlock codes!  &#xD;
  I&amp;rsquo;ve actually got THREE instances of the Sophocles 2003 and THREE&#xD;
instances of Sophocles 2007 Beta running on my various computers, and&#xD;
have easily added on new computers as I got new ones and got rid of old&#xD;
ones.  &#xD;
  The  &amp;ldquo;Beta&amp;rdquo; version  , which one gets for free right now when one buys the &amp;ldquo;Original&amp;rdquo; version, adds all the bells-and-whistles of a  full-blown Production Manager Program   for budgeting, scheduling, and breakdowns,    that one would normally otherwise have to purchase separately, at the cost of several thousands of dollars    !  &#xD;
  While other Screenwriting programs, such as Movie Magic Screenwriter&#xD;
export such data to Movie Magic Budgeting and Movie Magic Scheduling&#xD;
(both programs now sold to Entertainment Partners, or EP, which has&#xD;
re-branded these two industry standards under their own banner),&#xD;
Sophocles 2007 Beta does it all from within the same program, and all&#xD;
without any additional cost to purchase those kind of programs! It&amp;rsquo;s&#xD;
&amp;ldquo;built-into&amp;rdquo; Sophocles 2007 PM Beta, and not an &amp;ldquo;add-on&amp;rdquo; or external&#xD;
program that needs to be exported to.  &#xD;
    A smart person would buy Sophocles 2003 now for $120 just to&#xD;
get the free Sophocles 2007 Beta (and subsequent upgrades) for free&#xD;
while they still can, since one is literally saving thousands of&#xD;
dollars on the software.    &#xD;
  My guess is that after the &amp;ldquo;Beta&amp;rdquo; period ends, the &amp;ldquo;full-blown&amp;rdquo;&#xD;
Production Management Version of Sophocles 2007 will cost in the $1,000&#xD;
range (SEE below for more info on the different &amp;ldquo;versions&amp;rdquo; it will&#xD;
have.) Buy the Sophocles 2003 version NOW so you get the full upgrade&#xD;
to Sophocles 2007 PM for FREE while it is still in Beta. Once Sophocles&#xD;
2007 goes out of Beta, all the &amp;ldquo;free upgrade&amp;rdquo; deals are off. Only a&#xD;
fool would not take advantage of this unbelievable offer!  &#xD;
  So why should a Screenwriter care about Production Features? Right&#xD;
off the bat, it encourages leaner, tighter, and more logical&#xD;
screenwriting since one can easily see errors in slug lines, character&#xD;
names and character aliases, and just how many locations one&amp;rsquo;s script&#xD;
is really using. One can even estimate how long a shooting schedule&#xD;
one&amp;rsquo;s script could take, and how much it could cost to produce.  &#xD;
  The more a Screenwriter knows what happens to his or her script in&#xD;
terms of Production, the better, since they will become much more aware&#xD;
of factors that Producers look at when considering a script for&#xD;
Production.  &#xD;
  Unfortunately, for you Mac users, there is no Mac Version, but with&#xD;
the new Mac upcoming operating system and computers that will run&#xD;
Windows programs, that should no longer be a limiting factor.  &#xD;
  I have tried ALL of the &amp;ldquo;major&amp;rdquo;, and most of the &amp;ldquo;minor&amp;rdquo;&#xD;
Screenwriting Programs out there, and would have to say that in terms&#xD;
of features and value vs. price NOTHING beats Sophocles, not even the&#xD;
so-called &amp;ldquo;free programs&amp;rdquo; like Celtx!  &#xD;
  You really have to download the demo, and check out some of the&#xD;
features of BOTH the original AND the Beta version to really appreciate&#xD;
Sophocles for the fantastic program that it really is!  &#xD;
  And no, I don&amp;rsquo;t have anything to do with the company at all... It&amp;rsquo;s just THAT good a program!  &#xD;
  If I had had this program in Film School when I was getting my MFA in&#xD;
the USC Stark Producing Program, things would have been a heck of a lot&#xD;
easier! Even a fellow Starkie like John August might have switched from&#xD;
his Mac to a PC back then just to have been able to use Sophocles 2007&#xD;
and its features!  &#xD;
  Review by: ~Starkie~  &#xD;
  ===  &#xD;
  Here&amp;rsquo;s what some others have to say about Sophocles 2003:  &#xD;
  &amp;ldquo;A revelation. The first program I&amp;rsquo;ve found that&amp;rsquo;s actually designed&#xD;
for writing &amp;ndash; not just typing.&amp;rdquo; -Michael Goldenberg (Contact, Peter&#xD;
Pan)  &#xD;
  &amp;ldquo;Highly recommended. This is now the screenwriting program I use&#xD;
regularly.&amp;rdquo; -Charles Deemer, Screenwriters &amp;amp; Playwrights Home Page  &#xD;
  &amp;ldquo;...anyone who writes a script using Sophocles may not want to go back...&amp;rdquo; -Peter Bohush, WriterDirector.com  &#xD;
  &amp;ldquo;I&amp;rsquo;ve been using [a very popular scriptwriting software program] for&#xD;
years now and Sophocles just blows it clean out of the water.&amp;rdquo; -A User  &#xD;
  &amp;ldquo;Wonderful and affordable! It is great!&amp;rdquo; -Eric Colley, The IndieClub  &#xD;
  &amp;ldquo;Sophocles will be my program of choice from now on... If only you&amp;rsquo;d devised it sooner!&amp;rdquo; -Chris Harvey, UK Screenwriter  &#xD;
  &amp;ldquo;Sophocles has the best combination of story development tools,&#xD;
scriptwriting features, and production features of any other&#xD;
scriptwriting software on the market.&amp;rdquo; -Carl Hose, Writer&amp;rsquo;s Inkwell  &#xD;
  ===  &#xD;
  Here&amp;rsquo;s the blurb from the Sophocles Website on the &amp;ldquo;  Original  &amp;rdquo; flavor,  &amp;ldquo;Sophocles 2003&amp;rdquo;  , which can be found at    http://www.sophocles.net/   :  &#xD;
     A New Kind of Screenwriting Software    &#xD;
  Sophocles is a new screenplay software program that emphasizes the&#xD;
writing process. While other script writing software puts the focus on&#xD;
margins and page breaks, Sophocles was conceptualized from the start as&#xD;
a story creation tool for screenwriters. By allowing you to easily&#xD;
navigate and manipulate your story elements, Sophocles helps you craft&#xD;
a tighter, smoother flowing screenplay.  &#xD;
     Professional Screenwriting Format   Default format settings derived from a sample of 50 recent Hollywood screenplays.  &#xD;
    Fully Compatible   Export to and import from all major screenwriting programs and generic word processors.  &#xD;
     Story Centered Design   An interface that directs your&#xD;
attention away from mundane formatting issues while directing it&#xD;
towards the actual creative screenwriting process.  &#xD;
     Get the Big Picture   Tools to help you stay oriented within your story-space, and to easily navigate related scenes and plot points.  &#xD;
    Easy to Use   A clean, uncluttered interface, and an&#xD;
extremely shallow learning curve. If you have prior word processor&#xD;
experience, you can get up to speed in minutes.  &#xD;
  ===  &#xD;
    Sophocles Features    &#xD;
    Scene List   The scene list displays all the scene&#xD;
headers in your script along with a variety of statistical values for&#xD;
each scene. You can sort the list according to any of these values by&#xD;
clicking on the buttons at the tops of the columns. Double clicking on&#xD;
an entry jumps you immediately to that scene.  &#xD;
  The first paragraph of the selected scene appears at the bottom of&#xD;
the list, along with scene notes and a synopsis. As with the other&#xD;
lists, the scene list can be exported to a spreadsheet or database&#xD;
application by clicking on the save button.  &#xD;
     Dyad List   A &amp;ldquo;dyad&amp;rdquo; is a pair of related characters.&#xD;
The dyad list displays all the dyads in your script, along with an&#xD;
indication of the relative strength of the relationship between the two&#xD;
characters (a measure of how frequently they speak to each other). The&#xD;
strength values are scaled such that the strongest dyad scores one&#xD;
hundred.  &#xD;
  The tool&amp;rsquo;s bookmark button allows you to mark all locations where the members of the selected dyad speak to each other.  &#xD;
    Title Page Editor   The title page editor provides&#xD;
a quick and easy way to generate an industry-standard title page for&#xD;
your screenplay. Also, when production mode is active and you&amp;rsquo;re&#xD;
generating revision sheets, the title page editor allows you to specify&#xD;
the placement of revision slugs.  &#xD;
     Statistical Analysis   How many scenes are in the&#xD;
typical screenplay? How many characters? What proportion of a typical&#xD;
script is dialogue? How long is the typical scene? The answers vary&#xD;
greatly from one writer to the next, of course, and from one genre to&#xD;
another, but if you&amp;rsquo;re too far off the mark your screenplay won&amp;rsquo;t seem&#xD;
professional.  &#xD;
  Sophocles&amp;rsquo; statistical analysis feature helps get you on the mark.&#xD;
When used in conjunction with the import tool, you can download&#xD;
screenplays from the Web and compare your own stats to those of your&#xD;
favorite writers&amp;rsquo;.  &#xD;
    Outline Report   This tool allows you to view your scene headers, synopses and notes in an outline format.  &#xD;
    True Thesaurus   Sophocles provides a true&#xD;
thesaurus &amp;ndash; not just a synonym dictionary. By allowing you to explore&#xD;
clusters of word meanings and to follow paths of word associations,&#xD;
Sophocles&amp;rsquo; thesaurus helps you brainstorm ways of reworking your&#xD;
sentences, and it also serves as an effective &amp;ldquo;metaphor finder&amp;rdquo;.  &#xD;
     Character List   The character list displays all the&#xD;
speaking roles in your script, along with a variety of statistical&#xD;
values for each. The report can be sorted by any of these values, or&#xD;
exported to a spreadsheet or database application.  &#xD;
  The Dialogue button lets you view and edit all the dialogue for the&#xD;
selected character. This is a great way to work on the distinctiveness&#xD;
and consistency of your characters&amp;rsquo; speech patterns.  &#xD;
    Bookmark Tool   This tool allows you to save and load up to sixteen &amp;ldquo;bookmark collections.&amp;rdquo;  &#xD;
  ==  &#xD;
  Sophocles gives you industry standard format by default, but if you&#xD;
have special formatting needs you can go &amp;ldquo;under the hood&amp;rdquo; and change&#xD;
the settings described below. Each of the screenshots on this page&#xD;
corresponds to a &amp;ldquo;tab&amp;rdquo; on the print format tool, which can be accessed&#xD;
by activating the print-preview window and clicking the Edit Format&#xD;
button.  &#xD;
    General Formats Tab   Here you specify font and&#xD;
page number information and how to split dialogue across pages.&#xD;
Functionality includes the ability to include act and scene information&#xD;
as a part of the page number (as required by television and stageplay&#xD;
formats), and the ability to adjust line-per-inch and letter-per-inch&#xD;
values for fine tuning your page count.  &#xD;
     Margins Tab   Defines margin settings for each of the ten paragraph types and for dual column dialogue.  &#xD;
    Paragraphs Tab   Determines special formatting characteristics and line-spacing values for each paragraph type.  &#xD;
    Page Breaks Tab   Determines the rules used for breaking each of the paragraph types across pages.  &#xD;
    Production Formats Tab   Contains formatting options that apply when production mode is active.  &#xD;
  Feature List  &#xD;
  &#xD;
  &#xD;
  Fully automated revision handling and scene numbering.  &#xD;
  &#xD;
  &#xD;
  A scene notes / synopses tool that remains visible as you write.  &#xD;
  &#xD;
  &#xD;
  Drag-and-drop scenes from one location to another.  &#xD;
  &#xD;
  &#xD;
  7 different reports and lists, the contents of which can be exported to most spreadsheet and database applications.  &#xD;
  &#xD;
  &#xD;
  11 predefined formatting setups.  &#xD;
  &#xD;
  &#xD;
  Import your existing scripts into Sophocles.  &#xD;
  &#xD;
  &#xD;
  Export your scripts to rtf, txt, html, and pdf file formats (not available in the trial version).  &#xD;
  &#xD;
  &#xD;
  Dual column dialogue.  &#xD;
  &#xD;
  &#xD;
  View and edit all the dialogue for a particular character at once.  &#xD;
  &#xD;
  &#xD;
  Intelligent cut-and-paste allows you to specify paragraph types when pasting from another application.  &#xD;
  &#xD;
  &#xD;
  Unique timing feature tells you at a glance when a scene is running long.  &#xD;
  &#xD;
  &#xD;
  Spell-checker allows unusual spellings in dialogue (umm, shhhh, t-t-thanks).  &#xD;
  &#xD;
  &#xD;
  Split-view for transplanting a plot&#xD;
point from one scene to another, or for writing a scene that&amp;rsquo;s&#xD;
critically dependent on some other scene.  &#xD;
  &#xD;
  &#xD;
  The easiest to use auto-type functionality you&amp;rsquo;ll find.  &#xD;
  &#xD;
  &#xD;
  Bookmark tool allows you to store and load up to 16 bookmark collections.  &#xD;
  &#xD;
  &#xD;
  Customizable color-coding of paragraph types.  &#xD;
  &#xD;
  &#xD;
  Compressed view for small screens.  &#xD;
  &#xD;
  &#xD;
  Undo/Redo to a depth of 128 actions.  &#xD;
  &#xD;
  &#xD;
  Forward and back buttons (like on your web browser).  &#xD;
  &#xD;
  &#xD;
  E-mail functionality.  &#xD;
  &#xD;
  &#xD;
  Auto-save.  &#xD;
  &#xD;
  &#xD;
  Adjustable line and letter spacing for fine tuning your page count.  &#xD;
  &#xD;
  &#xD;
  ===  &#xD;
  Feature s of the  &amp;ldquo;Sophocles 2007 Beta&amp;rdquo;   version,&#xD;
which one gets for free for now while still in Beta when one purchases&#xD;
&amp;ldquo;Sophocles 2003&amp;rdquo;, including all future updates to Sophocles 2007 once&#xD;
it goes out of Beta, include:  &#xD;
  Beta testing is now underway for the next version of Sophocles. The&#xD;
final commercial release of the program will be split into three&#xD;
editions:  &#xD;
    Sophocles Basic   will include the core word-processing and script-formatting functionality.  &#xD;
    Sophocles Pro   will introduce a variety of story planning, outlining, and visualization tools.  &#xD;
    Sophocles PM   will introduce breakdown, budgeting,&#xD;
scheduling, and reporting capabilities. Sophocles PM is the edition&#xD;
being tested now (the entire program, in other words).    Sophocles PM will be a free upgrade for registered users of Sophocles 2003  .    &#xD;
    Documentation   as to  all the features   of Sophocles 2007 Beta can be found here:  http://www.sophocles.net/beta/webhelp/sophocles.htm   &#xD;
  READ IT! It really explains Sophocles 2007 in much more detail. Once you try it, you will never want to use anything else!  &#xD;
  Source:  http://johnaugust.com/jawiki/sopho cles</content:encoded>
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      <pubDate>Tue, 22 Apr 2008 23:54:43 GMT</pubDate>
      <guid>http://community.mydreampower.com/_Learn-why-Sophocles-is-the-best-Screenwriting-Software/BLOG/52082/22042.html</guid>
      <dc:creator>spiritdancer</dc:creator>
      <dc:date>2008-04-22T23:54:43Z</dc:date>
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        <media:category>Filmmaking</media:category>
        <media:credit role="publishing company" scheme="urn:ebu">The Old Dream Club</media:credit>
        <media:description>sophocles  &#xD;
   wikipage start  &#xD;
    Sophocles   is a screenwriting program that currently comes in two &amp;ldquo;flavors&amp;rdquo;: The  &amp;ldquo;original&amp;rdquo;  , known as &amp;ldquo;  Sophocles 2003  &amp;ldquo;, and the  &amp;ldquo;Beta&amp;rdquo;  , now called &amp;ldquo;  Sophocles 2007  &amp;ldquo;.  &#xD;
  The original was in its own right a fantastic screenwriting program,&#xD;
with all the bells-and-whistle one needed not only to write one&amp;rsquo;s&#xD;
screenplay, but also to handle revisions and breakdowns. It was, and&#xD;
still is, extremely reasonable in terms of price, only $120, with 50%&#xD;
discounts for academic users. It would still be a deal at twice the&#xD;
price.  &#xD;
  Highly intuitive, Sophocles allows one to easily work, and write, in terms of Acts, Sequences, and Scenes.  &#xD;
  Unlike bloated versions of other screenwriting programs, this&#xD;
program is lean and mean in terms of file size, but full-featured in&#xD;
every way. One has to really try it to fully appreciate it. With the&#xD;
downloadable Sophocles 2003 demo (which one can get here:  http://www.sophocles.net/download.asp )&#xD;
one really can &amp;ldquo;try before one buys&amp;rdquo;, without those &amp;ldquo;30-day&amp;rdquo; or&#xD;
&amp;ldquo;15-page&amp;rdquo; limits other screenwriting program &amp;ldquo;trial versions&amp;rdquo; have.&#xD;
With Sophocles the &amp;ldquo;trial&amp;rdquo; is the full-blown program, and one could&#xD;
actually write an entire screenplay, with the only limitation being&#xD;
that printout output displaying a watermark, if I remember correctly.  &#xD;
  Online Registration is a breeze, and one can actually have THREE&#xD;
concurrent instances of Sophocles installed at the same time on THREE&#xD;
different computers, WITHOUT having to have a installation CD, or some&#xD;
other onerous software protection scheme to deal with. That ends the&#xD;
problem of having 1) a work computer, 2) a home computer, and 3) a&#xD;
laptop, and wanting to work on a script using Sophocles.  &#xD;
  Should you either &amp;ldquo;crash&amp;rdquo; your computer, or get a new one,&#xD;
reinstalling the software, or installing it again, is a breeze, as is&#xD;
adding on those computers. All it takes is typing two or three bits of&#xD;
information on an online validation tool, and and email arrives with&#xD;
the unlock codes!  &#xD;
  I&amp;rsquo;ve actually got THREE instances of the Sophocles 2003 and THREE&#xD;
instances of Sophocles 2007 Beta running on my various computers, and&#xD;
have easily added on new computers as I got new ones and got rid of old&#xD;
ones.  &#xD;
  The  &amp;ldquo;Beta&amp;rdquo; version  , which one gets for free right now when one buys the &amp;ldquo;Original&amp;rdquo; version, adds all the bells-and-whistles of a  full-blown Production Manager Program   for budgeting, scheduling, and breakdowns,    that one would normally otherwise have to purchase separately, at the cost of several thousands of dollars    !  &#xD;
  While other Screenwriting programs, such as Movie Magic Screenwriter&#xD;
export such data to Movie Magic Budgeting and Movie Magic Scheduling&#xD;
(both programs now sold to Entertainment Partners, or EP, which has&#xD;
re-branded these two industry standards under their own banner),&#xD;
Sophocles 2007 Beta does it all from within the same program, and all&#xD;
without any additional cost to purchase those kind of programs! It&amp;rsquo;s&#xD;
&amp;ldquo;built-into&amp;rdquo; Sophocles 2007 PM Beta, and not an &amp;ldquo;add-on&amp;rdquo; or external&#xD;
program that needs to be exported to.  &#xD;
    A smart person would buy Sophocles 2003 now for $120 just to&#xD;
get the free Sophocles 2007 Beta (and subsequent upgrades) for free&#xD;
while they still can, since one is literally saving thousands of&#xD;
dollars on the software.    &#xD;
  My guess is that after the &amp;ldquo;Beta&amp;rdquo; period ends, the &amp;ldquo;full-blown&amp;rdquo;&#xD;
Production Management Version of Sophocles 2007 will cost in the $1,000&#xD;
range (SEE below for more info on the different &amp;ldquo;versions&amp;rdquo; it will&#xD;
have.) Buy the Sophocles 2003 version NOW so you get the full upgrade&#xD;
to Sophocles 2007 PM for FREE while it is still in Beta. Once Sophocles&#xD;
2007 goes out of Beta, all the &amp;ldquo;free upgrade&amp;rdquo; deals are off. Only a&#xD;
fool would not take advantage of this unbelievable offer!  &#xD;
  So why should a Screenwriter care about Production Features? Right&#xD;
off the bat, it encourages leaner, tighter, and more logical&#xD;
screenwriting since one can easily see errors in slug lines, character&#xD;
names and character aliases, and just how many locations one&amp;rsquo;s script&#xD;
is really using. One can even estimate how long a shooting schedule&#xD;
one&amp;rsquo;s script could take, and how much it could cost to produce.  &#xD;
  The more a Screenwriter knows what happens to his or her script in&#xD;
terms of Production, the better, since they will become much more aware&#xD;
of factors that Producers look at when considering a script for&#xD;
Production.  &#xD;
  Unfortunately, for you Mac users, there is no Mac Version, but with&#xD;
the new Mac upcoming operating system and computers that will run&#xD;
Windows programs, that should no longer be a limiting factor.  &#xD;
  I have tried ALL of the &amp;ldquo;major&amp;rdquo;, and most of the &amp;ldquo;minor&amp;rdquo;&#xD;
Screenwriting Programs out there, and would have to say that in terms&#xD;
of features and value vs. price NOTHING beats Sophocles, not even the&#xD;
so-called &amp;ldquo;free programs&amp;rdquo; like Celtx!  &#xD;
  You really have to download the demo, and check out some of the&#xD;
features of BOTH the original AND the Beta version to really appreciate&#xD;
Sophocles for the fantastic program that it really is!  &#xD;
  And no, I don&amp;rsquo;t have anything to do with the company at all... It&amp;rsquo;s just THAT good a program!  &#xD;
  If I had had this program in Film School when I was getting my MFA in&#xD;
the USC Stark Producing Program, things would have been a heck of a lot&#xD;
easier! Even a fellow Starkie like John August might have switched from&#xD;
his Mac to a PC back then just to have been able to use Sophocles 2007&#xD;
and its features!  &#xD;
  Review by: ~Starkie~  &#xD;
  ===  &#xD;
  Here&amp;rsquo;s what some others have to say about Sophocles 2003:  &#xD;
  &amp;ldquo;A revelation. The first program I&amp;rsquo;ve found that&amp;rsquo;s actually designed&#xD;
for writing &amp;ndash; not just typing.&amp;rdquo; -Michael Goldenberg (Contact, Peter&#xD;
Pan)  &#xD;
  &amp;ldquo;Highly recommended. This is now the screenwriting program I use&#xD;
regularly.&amp;rdquo; -Charles Deemer, Screenwriters &amp;amp; Playwrights Home Page  &#xD;
  &amp;ldquo;...anyone who writes a script using Sophocles may not want to go back...&amp;rdquo; -Peter Bohush, WriterDirector.com  &#xD;
  &amp;ldquo;I&amp;rsquo;ve been using [a very popular scriptwriting software program] for&#xD;
years now and Sophocles just blows it clean out of the water.&amp;rdquo; -A User  &#xD;
  &amp;ldquo;Wonderful and affordable! It is great!&amp;rdquo; -Eric Colley, The IndieClub  &#xD;
  &amp;ldquo;Sophocles will be my program of choice from now on... If only you&amp;rsquo;d devised it sooner!&amp;rdquo; -Chris Harvey, UK Screenwriter  &#xD;
  &amp;ldquo;Sophocles has the best combination of story development tools,&#xD;
scriptwriting features, and production features of any other&#xD;
scriptwriting software on the market.&amp;rdquo; -Carl Hose, Writer&amp;rsquo;s Inkwell  &#xD;
  ===  &#xD;
  Here&amp;rsquo;s the blurb from the Sophocles Website on the &amp;ldquo;  Original  &amp;rdquo; flavor,  &amp;ldquo;Sophocles 2003&amp;rdquo;  , which can be found at    http://www.sophocles.net/   :  &#xD;
     A New Kind of Screenwriting Software    &#xD;
  Sophocles is a new screenplay software program that emphasizes the&#xD;
writing process. While other script writing software puts the focus on&#xD;
margins and page breaks, Sophocles was conceptualized from the start as&#xD;
a story creation tool for screenwriters. By allowing you to easily&#xD;
navigate and manipulate your story elements, Sophocles helps you craft&#xD;
a tighter, smoother flowing screenplay.  &#xD;
     Professional Screenwriting Format   Default format settings derived from a sample of 50 recent Hollywood screenplays.  &#xD;
    Fully Compatible   Export to and import from all major screenwriting programs and generic word processors.  &#xD;
     Story Centered Design   An interface that directs your&#xD;
attention away from mundane formatting issues while directing it&#xD;
towards the actual creative screenwriting process.  &#xD;
     Get the Big Picture   Tools to help you stay oriented within your story-space, and to easily navigate related scenes and plot points.  &#xD;
    Easy to Use   A clean, uncluttered interface, and an&#xD;
extremely shallow learning curve. If you have prior word processor&#xD;
experience, you can get up to speed in minutes.  &#xD;
  ===  &#xD;
    Sophocles Features    &#xD;
    Scene List   The scene list displays all the scene&#xD;
headers in your script along with a variety of statistical values for&#xD;
each scene. You can sort the list according to any of these values by&#xD;
clicking on the buttons at the tops of the columns. Double clicking on&#xD;
an entry jumps you immediately to that scene.  &#xD;
  The first paragraph of the selected scene appears at the bottom of&#xD;
the list, along with scene notes and a synopsis. As with the other&#xD;
lists, the scene list can be exported to a spreadsheet or database&#xD;
application by clicking on the save button.  &#xD;
     Dyad List   A &amp;ldquo;dyad&amp;rdquo; is a pair of related characters.&#xD;
The dyad list displays all the dyads in your script, along with an&#xD;
indication of the relative strength of the relationship between the two&#xD;
characters (a measure of how frequently they speak to each other). The&#xD;
strength values are scaled such that the strongest dyad scores one&#xD;
hundred.  &#xD;
  The tool&amp;rsquo;s bookmark button allows you to mark all locations where the members of the selected dyad speak to each other.  &#xD;
    Title Page Editor   The title page editor provides&#xD;
a quick and easy way to generate an industry-standard title page for&#xD;
your screenplay. Also, when production mode is active and you&amp;rsquo;re&#xD;
generating revision sheets, the title page editor allows you to specify&#xD;
the placement of revision slugs.  &#xD;
     Statistical Analysis   How many scenes are in the&#xD;
typical screenplay? How many characters? What proportion of a typical&#xD;
script is dialogue? How long is the typical scene? The answers vary&#xD;
greatly from one writer to the next, of course, and from one genre to&#xD;
another, but if you&amp;rsquo;re too far off the mark your screenplay won&amp;rsquo;t seem&#xD;
professional.  &#xD;
  Sophocles&amp;rsquo; statistical analysis feature helps get you on the mark.&#xD;
When used in conjunction with the import tool, you can download&#xD;
screenplays from the Web and compare your own stats to those of your&#xD;
favorite writers&amp;rsquo;.  &#xD;
    Outline Report   This tool allows you to view your scene headers, synopses and notes in an outline format.  &#xD;
    True Thesaurus   Sophocles provides a true&#xD;
thesaurus &amp;ndash; not just a synonym dictionary. By allowing you to explore&#xD;
clusters of word meanings and to follow paths of word associations,&#xD;
Sophocles&amp;rsquo; thesaurus helps you brainstorm ways of reworking your&#xD;
sentences, and it also serves as an effective &amp;ldquo;metaphor finder&amp;rdquo;.  &#xD;
     Character List   The character list displays all the&#xD;
speaking roles in your script, along with a variety of statistical&#xD;
values for each. The report can be sorted by any of these values, or&#xD;
exported to a spreadsheet or database application.  &#xD;
  The Dialogue button lets you view and edit all the dialogue for the&#xD;
selected character. This is a great way to work on the distinctiveness&#xD;
and consistency of your characters&amp;rsquo; speech patterns.  &#xD;
    Bookmark Tool   This tool allows you to save and load up to sixteen &amp;ldquo;bookmark collections.&amp;rdquo;  &#xD;
  ==  &#xD;
  Sophocles gives you industry standard format by default, but if you&#xD;
have special formatting needs you can go &amp;ldquo;under the hood&amp;rdquo; and change&#xD;
the settings described below. Each of the screenshots on this page&#xD;
corresponds to a &amp;ldquo;tab&amp;rdquo; on the print format tool, which can be accessed&#xD;
by activating the print-preview window and clicking the Edit Format&#xD;
button.  &#xD;
    General Formats Tab   Here you specify font and&#xD;
page number information and how to split dialogue across pages.&#xD;
Functionality includes the ability to include act and scene information&#xD;
as a part of the page number (as required by television and stageplay&#xD;
formats), and the ability to adjust line-per-inch and letter-per-inch&#xD;
values for fine tuning your page count.  &#xD;
     Margins Tab   Defines margin settings for each of the ten paragraph types and for dual column dialogue.  &#xD;
    Paragraphs Tab   Determines special formatting characteristics and line-spacing values for each paragraph type.  &#xD;
    Page Breaks Tab   Determines the rules used for breaking each of the paragraph types across pages.  &#xD;
    Production Formats Tab   Contains formatting options that apply when production mode is active.  &#xD;
  Feature List  &#xD;
  &#xD;
  &#xD;
  Fully automated revision handling and scene numbering.  &#xD;
  &#xD;
  &#xD;
  A scene notes / synopses tool that remains visible as you write.  &#xD;
  &#xD;
  &#xD;
  Drag-and-drop scenes from one location to another.  &#xD;
  &#xD;
  &#xD;
  7 different reports and lists, the contents of which can be exported to most spreadsheet and database applications.  &#xD;
  &#xD;
  &#xD;
  11 predefined formatting setups.  &#xD;
  &#xD;
  &#xD;
  Import your existing scripts into Sophocles.  &#xD;
  &#xD;
  &#xD;
  Export your scripts to rtf, txt, html, and pdf file formats (not available in the trial version).  &#xD;
  &#xD;
  &#xD;
  Dual column dialogue.  &#xD;
  &#xD;
  &#xD;
  View and edit all the dialogue for a particular character at once.  &#xD;
  &#xD;
  &#xD;
  Intelligent cut-and-paste allows you to specify paragraph types when pasting from another application.  &#xD;
  &#xD;
  &#xD;
  Unique timing feature tells you at a glance when a scene is running long.  &#xD;
  &#xD;
  &#xD;
  Spell-checker allows unusual spellings in dialogue (umm, shhhh, t-t-thanks).  &#xD;
  &#xD;
  &#xD;
  Split-view for transplanting a plot&#xD;
point from one scene to another, or for writing a scene that&amp;rsquo;s&#xD;
critically dependent on some other scene.  &#xD;
  &#xD;
  &#xD;
  The easiest to use auto-type functionality you&amp;rsquo;ll find.  &#xD;
  &#xD;
  &#xD;
  Bookmark tool allows you to store and load up to 16 bookmark collections.  &#xD;
  &#xD;
  &#xD;
  Customizable color-coding of paragraph types.  &#xD;
  &#xD;
  &#xD;
  Compressed view for small screens.  &#xD;
  &#xD;
  &#xD;
  Undo/Redo to a depth of 128 actions.  &#xD;
  &#xD;
  &#xD;
  Forward and back buttons (like on your web browser).  &#xD;
  &#xD;
  &#xD;
  E-mail functionality.  &#xD;
  &#xD;
  &#xD;
  Auto-save.  &#xD;
  &#xD;
  &#xD;
  Adjustable line and letter spacing for fine tuning your page count.  &#xD;
  &#xD;
  &#xD;
  ===  &#xD;
  Feature s of the  &amp;ldquo;Sophocles 2007 Beta&amp;rdquo;   version,&#xD;
which one gets for free for now while still in Beta when one purchases&#xD;
&amp;ldquo;Sophocles 2003&amp;rdquo;, including all future updates to Sophocles 2007 once&#xD;
it goes out of Beta, include:  &#xD;
  Beta testing is now underway for the next version of Sophocles. The&#xD;
final commercial release of the program will be split into three&#xD;
editions:  &#xD;
    Sophocles Basic   will include the core word-processing and script-formatting functionality.  &#xD;
    Sophocles Pro   will introduce a variety of story planning, outlining, and visualization tools.  &#xD;
    Sophocles PM   will introduce breakdown, budgeting,&#xD;
scheduling, and reporting capabilities. Sophocles PM is the edition&#xD;
being tested now (the entire program, in other words).    Sophocles PM will be a free upgrade for registered users of Sophocles 2003  .    &#xD;
    Documentation   as to  all the features   of Sophocles 2007 Beta can be found here:  http://www.sophocles.net/beta/webhelp/sophocles.htm   &#xD;
  READ IT! It really explains Sophocles 2007 in much more detail. Once you try it, you will never want to use anything else!  &#xD;
  Source:  http://johnaugust.com/jawiki/sopho cles</media:description>
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      <title>Non Profit</title>
      <link>http://community.mydreampower.com/_Non-Profit/group/47308/22042.html</link>
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      <pubDate>Tue, 15 Apr 2008 19:48:06 GMT</pubDate>
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      <dc:creator />
      <dc:date>2008-04-15T19:48:06Z</dc:date>
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      <title>Non Profit Fundraising Tips No. 1</title>
      <link>http://community.mydreampower.com/_Non-Profit-Fundraising-Tips-No-1/BLOG/49560/22042.html</link>
      <description>Well I'm learning somethings about fund raising. I am in the process of raising funds to produce a children's film called Star Kids. These are my notes about what I am learning about this arduous process.    1. focus on businesses.    Approcahing individuals is almost a waste of time. I mean for all the work and time you spend&#xD;
trying to get something from an individual you might as well go to a&#xD;
business at least the payoff could be larger.    2. Phone calls&#xD;
to indivuals do not work. Nor do emails. The only time I can get&#xD;
donatios from individuals is door-to door or in front of a grocery&#xD;
store. You have to pull it out of them. It's crazy!    3. from idividuals I have gotten a couple pledges but nothing has shown up yet.    4.&#xD;
Emails do not work. They should only be used after the initial contact&#xD;
has been made as a means of communications but not as the main selling&#xD;
vehicle.    So I'm not going to call individuals.    Now&#xD;
setting up meetings with businesses. That is working as far as getting&#xD;
meetings. so far I have gotten one donation but we will see at the end&#xD;
of the week about the others. it's a more drawn out process with&#xD;
businesses . this is why we need a short term vehicle for getting short&#xD;
term money. Which for right now is going to be door to door. I don't&#xD;
like it but it's the only thing that seems to work. also I am going to&#xD;
focus more on quality encounters and not quantity. I am going to try to&#xD;
really connect with each person as if they are the only person.    5. Don't approach your family unless you really want to get depressed and discouraged.</description>
      <content:encoded>Well I'm learning somethings about fund raising. I am in the process of raising funds to produce a children's film called Star Kids. These are my notes about what I am learning about this arduous process.    1. focus on businesses.    Approcahing individuals is almost a waste of time. I mean for all the work and time you spend&#xD;
trying to get something from an individual you might as well go to a&#xD;
business at least the payoff could be larger.    2. Phone calls&#xD;
to indivuals do not work. Nor do emails. The only time I can get&#xD;
donatios from individuals is door-to door or in front of a grocery&#xD;
store. You have to pull it out of them. It's crazy!    3. from idividuals I have gotten a couple pledges but nothing has shown up yet.    4.&#xD;
Emails do not work. They should only be used after the initial contact&#xD;
has been made as a means of communications but not as the main selling&#xD;
vehicle.    So I'm not going to call individuals.    Now&#xD;
setting up meetings with businesses. That is working as far as getting&#xD;
meetings. so far I have gotten one donation but we will see at the end&#xD;
of the week about the others. it's a more drawn out process with&#xD;
businesses . this is why we need a short term vehicle for getting short&#xD;
term money. Which for right now is going to be door to door. I don't&#xD;
like it but it's the only thing that seems to work. also I am going to&#xD;
focus more on quality encounters and not quantity. I am going to try to&#xD;
really connect with each person as if they are the only person.    5. Don't approach your family unless you really want to get depressed and discouraged.</content:encoded>
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      <pubDate>Tue, 15 Apr 2008 19:43:45 GMT</pubDate>
      <guid>http://community.mydreampower.com/_Non-Profit-Fundraising-Tips-No-1/BLOG/49560/22042.html</guid>
      <dc:creator>spiritdancer</dc:creator>
      <dc:date>2008-04-15T19:43:45Z</dc:date>
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        <media:description>Well I'm learning somethings about fund raising. I am in the process of raising funds to produce a children's film called Star Kids. These are my notes about what I am learning about this arduous process.    1. focus on businesses.    Approcahing individuals is almost a waste of time. I mean for all the work and time you spend&#xD;
trying to get something from an individual you might as well go to a&#xD;
business at least the payoff could be larger.    2. Phone calls&#xD;
to indivuals do not work. Nor do emails. The only time I can get&#xD;
donatios from individuals is door-to door or in front of a grocery&#xD;
store. You have to pull it out of them. It's crazy!    3. from idividuals I have gotten a couple pledges but nothing has shown up yet.    4.&#xD;
Emails do not work. They should only be used after the initial contact&#xD;
has been made as a means of communications but not as the main selling&#xD;
vehicle.    So I'm not going to call individuals.    Now&#xD;
setting up meetings with businesses. That is working as far as getting&#xD;
meetings. so far I have gotten one donation but we will see at the end&#xD;
of the week about the others. it's a more drawn out process with&#xD;
businesses . this is why we need a short term vehicle for getting short&#xD;
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like it but it's the only thing that seems to work. also I am going to&#xD;
focus more on quality encounters and not quantity. I am going to try to&#xD;
really connect with each person as if they are the only person.    5. Don't approach your family unless you really want to get depressed and discouraged.</media:description>
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      <title>Dream Warriors</title>
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      <pubDate>Mon, 14 Apr 2008 01:47:39 GMT</pubDate>
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      <dc:date>2008-04-14T01:47:39Z</dc:date>
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      <title>Don't give up!</title>
      <link>http://community.mydreampower.com/_Dont-give-up/AUDIO/100670/22042.html</link>
      <description>"Do Not Get Weary" Words of wisdom to help you keep on keepin' on! by Pastor Gini Smith of The City Church. She gives an excellent message about how faith is the fuel that powers our purpose. Required listening for all Dream Warriors! &#xD;
&#xD;
http://www.TheCityChurch.org</description>
      <content:encoded>"Do Not Get Weary" Words of wisdom to help you keep on keepin' on! by Pastor Gini Smith of The City Church. She gives an excellent message about how faith is the fuel that powers our purpose. Required listening for all Dream Warriors! &#xD;
&#xD;
http://www.TheCityChurch.org</content:encoded>
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      <pubDate>Mon, 14 Apr 2008 01:27:02 GMT</pubDate>
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      <dc:creator>spiritdancer</dc:creator>
      <dc:date>2008-04-14T01:27:02Z</dc:date>
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      <title>Yvonne Fitch The Painter, Part 1</title>
      <link>http://community.mydreampower.com/_Yvonne-Fitch-The-Painter-Part-1/VIDEO/186287/22042.html</link>
      <description>Journey of the Dream Warrior Extended Interview No. 2: Yvonne Fitch part 1: This is an extended interview with Yvonne Fitch, Intuitive, Painter and Writer from the Journey of the Dream Warrior Film. She lives in Austin, Texas and can be reached at http://www.MyDreamPower.com/sacredsplendor</description>
      <content:encoded>Journey of the Dream Warrior Extended Interview No. 2: Yvonne Fitch part 1: This is an extended interview with Yvonne Fitch, Intuitive, Painter and Writer from the Journey of the Dream Warrior Film. She lives in Austin, Texas and can be reached at http://www.MyDreamPower.com/sacredsplendor</content:encoded>
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      <title>How to get discovered on the Internet</title>
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      <description>Go ahead, post that dumb video online, you could get some work    &#xD;
      LOS ANGELES, California (AP)     -- Voice-over work in&#xD;
Indiana wasn't too lucrative, so Daniel Geduld made a classic actor's&#xD;
move: He headed for Los Angeles, Califronia. And like most Hollywood&#xD;
dreamers, Geduld didn't get hired for much.  &#xD;
  So Geduld combined&#xD;
his creative talents with his abundance of free time. He took footage&#xD;
from the 1980s "He-Man and the Masters of the Universe" cartoons,&#xD;
re-edited it and redubbed it to make the evil Skeletor and his cronies&#xD;
into a bumbling gang of losers. Geduld added incongruously peppy jazz&#xD;
by Django Reinhardt, called his farce "The Skeletor Show" and posted&#xD;
episodes on Google Inc.'s  YouTube .  &#xD;
  Geduld added his e-mail address to the credits, along with this line: "Please give me a job. I'm talented."  &#xD;
  Actually, that was a joke. Geduld didn't think much could come of it.  &#xD;
  But he was underestimating how much the Internet has broadened the ways&#xD;
people get discovered today, often for jobs in the entertainment&#xD;
industry that didn't exist until a few years ago.  &#xD;
  startclickprintexclude  &#xD;
  &#xD;
  Don't Miss  &#xD;
  &#xD;
    Special Report: Your Digital World   &#xD;
  &#xD;
  &#xD;
  endclickprintexclude  &#xD;
  Enough people liked "The Skeletor Show" that it got mentioned on some&#xD;
popular blogs. Before long, several Web sites were paying Geduld to do&#xD;
similar comedic "mash-ups" for them. Video portal Heavy.com hired&#xD;
Geduld to be a voice for its new horror channel.  &#xD;
  When he got the&#xD;
first e-mail inquiring about his services, Geduld, 30, was shocked. "Oh&#xD;
my God, this actually worked!" he thought. The first few gigs paid only&#xD;
around $500. But now he's making "enough to support myself," and offers&#xD;
keep coming. A tech company asked if he'd do promotional material. He&#xD;
got invited to a sci-fi convention.  &#xD;
  "It just gets better and better," Geduld says. "I'm thinking of getting an agent."  &#xD;
  One of Hollywood's animating legends is the story of the ingenue who&#xD;
got discovered by a studio honcho while she sipped a soda in a&#xD;
drugstore. The myth spoke to the lightning-strike luck that making it&#xD;
big generally took in a system controlled by a few big studios.  &#xD;
  Now, the Web has blown things open. It is easier than ever to get&#xD;
discovered. Web sites trying to develop into entertainment hubs are&#xD;
hungry for people to write, shoot or star in new content, so its&#xD;
representatives scan for talent in the piles of homemade videos on  MySpace , YouTube, Revver and personal blogs.  &#xD;
  It's certainly no secret that the Web can launch new faces. The medium&#xD;
already has its tales of regular Janes who made it big, like Lisa&#xD;
Donovan, who leaped from YouTube to the cast of Fox's "MadTV," and&#xD;
Brooke Brodack, a Net video character signed to a TV production deal by&#xD;
Carson Daly. This is the vision that drove the creators of YouTube's&#xD;
"LonelyGirl15" faux-reality videos.  &#xD;
  But the lesser-known story&#xD;
is of non-stars like Geduld, riding the Web's radical openness to find&#xD;
new kinds of online entertainment work.  &#xD;
  Often these online jobs&#xD;
are with sites that may be a step above the user-generated schlock of&#xD;
YouTube, but still are sorting out the economics of attracting&#xD;
advertising. As a result, discovery sometimes comes with modest&#xD;
trappings. And it often extends to people who wouldn't have made it&#xD;
through Hollywood's old-school gatekeepers -- or even tried.  &#xD;
  Consider the experience of Jessica Hagy, a 29-year-old freelance advertising copywriter in Ohio.  &#xD;
  Last fall she started a blog that commented on the world through clever diagrams. (You have to see it to get it -- check out  http://indexed.blogspot.com )&#xD;
Aft er brothers Gregg and Evan Spiridellis encountered the blog in Los&#xD;
Angeles, they e-mailed Hagy and eventually asked her to produce&#xD;
diagrams for content debuting this fall on their growing comedy site,&#xD;
JibJab.com. There aren't big bucks involved, maybe a few thousand,&#xD;
depending on how much advertising the segments attract.  &#xD;
  "It just&#xD;
seems to be the new modus operandi for creative people," says Hagy, who&#xD;
has yet to meet the Spiridellis brothers in person. "There are so many&#xD;
more people out there than you could find before. ... I was just a&#xD;
random kid in Columbus, Ohio. How was I supposed to find anybody under&#xD;
the old way?"  &#xD;
  This is not to say everyone who airs dumb stunts&#xD;
or lip-synchs on YouTube has a chance of landing real work.&#xD;
Representatives of professionally produced content sites who pore&#xD;
through user-generated videos see more rough than diamonds. When there&#xD;
are decent finds, competition can be intense.  &#xD;
  Jason Marks, a&#xD;
former MTV executive who oversees programming and development for&#xD;
Heavy.com, swears this story is true, and that similar things happen&#xD;
several times a month:  &#xD;
  A while back he came across a YouTube&#xD;
video of some young guys "in their dorm room, flicking boogers on their&#xD;
wall." Marks was only mildly amused, but he sensed there might be&#xD;
something in these kids, so he figured he'd scope them out. Marks says&#xD;
he left a message for them -- and got his call returned by someone in a&#xD;
very prominent talent agency.  &#xD;
  "They refer us to their agent!" Marks says. "I'm not even kidding, man."  &#xD;
  In many ways, today's talent search is a reprise of the height of the&#xD;
dot-com boom. Then, sites such as AntEye, Icebox, Mediatrip and Z.com&#xD;
cast themselves as "incubators" and served as scouts for film studios&#xD;
and television networks, essentially producing low-cost pilots and&#xD;
hoping for a hit.  &#xD;
  That model has resurfaced. Last year, UTA, one&#xD;
of Hollywood's biggest talent agencies, launched an online division to&#xD;
scout for people who could be in videos for ad agencies, Web sites and&#xD;
traditional media outlets. While most agencies refuse unsolicited work,&#xD;
UTA encourages online submissions.  &#xD;
  Grouper.com, a site owned by&#xD;
Sony Corp., recently decided to stop trying to make money from&#xD;
user-generated videos and will focus instead, under the name Crackle,&#xD;
on scouting online prodigies for Sony.  &#xD;
  But Steven Starr, a&#xD;
former talent agent who heads the Web video site Revver, says what he&#xD;
sees emerging is "a creator economy online" whereby the Internet will&#xD;
carve out its own slice of the action, rather than just serving as a&#xD;
development league for TV and film.  &#xD;
  "That will start to make it&#xD;
possible for any creator to develop income and careers online and not&#xD;
just be fodder for large media enterprises that are looking to move&#xD;
them off onto other platforms," Starr says.  &#xD;
  Even if untapped&#xD;
talent is not necessarily easy to find, the economics of Web&#xD;
entertainment startups dictates that they try hard to do it. Old-school&#xD;
casting calls -- and Hollywood's union contracts -- wouldn't work for&#xD;
digital media that comes together quickly and relatively cheaply.  &#xD;
  "Hollywood as it exists today was built to produce a relatively small&#xD;
number of very large productions," says JibJab's Gregg Spiridellis.&#xD;
"The new studios ... in digital are going to exist in a way where they&#xD;
can produce a very large number of small productions. I need to produce&#xD;
content at the price of the craft services table on a television shoot."  &#xD;
  Sometimes, online video can juice an entertainment career already in progress.  &#xD;
  Nick Stevens had a decent life as a comedian in New York, supporting&#xD;
himself with acting and writing gigs on TV and radio. But things got&#xD;
more interesting after he launched a zero-budget video blog in his&#xD;
living room. Called TownieNews.com, it features rants by fictional&#xD;
Boston sports nut Paul "Fitzy" Fitzgerald.  &#xD;
  Fitzy developed such&#xD;
an online following that a Boston TV station, believing he was real,&#xD;
called to set up an interview. (Stevens set the reporters straight.)&#xD;
The blog also got noticed by the people at Heavy.com, who hired Stevens&#xD;
to host their regular "SportsCenter" takeoff known as "The Burly Sports&#xD;
Show." Stevens plays himself, more or less, but Fitzy appears as a&#xD;
character.  &#xD;
  Stevens, 33, says he lives pretty well on what he&#xD;
gets paid to do two of the online episodes every week -- which&#xD;
sometimes amazes him.  &#xD;
  "The guy who was buying his coffees with&#xD;
nickels and dimes in 2003 and having beans on toast for lunch is very&#xD;
thankful," he says. "The Web is great. The single greatest distraction&#xD;
from employment is also the single greatest enabler of employment."  &#xD;
    &#xD;
  Original article: http://www.cnn.com/2007/TECH/08/01/discovered.web. ap/index.html</description>
      <content:encoded>Go ahead, post that dumb video online, you could get some work    &#xD;
      LOS ANGELES, California (AP)     -- Voice-over work in&#xD;
Indiana wasn't too lucrative, so Daniel Geduld made a classic actor's&#xD;
move: He headed for Los Angeles, Califronia. And like most Hollywood&#xD;
dreamers, Geduld didn't get hired for much.  &#xD;
  So Geduld combined&#xD;
his creative talents with his abundance of free time. He took footage&#xD;
from the 1980s "He-Man and the Masters of the Universe" cartoons,&#xD;
re-edited it and redubbed it to make the evil Skeletor and his cronies&#xD;
into a bumbling gang of losers. Geduld added incongruously peppy jazz&#xD;
by Django Reinhardt, called his farce "The Skeletor Show" and posted&#xD;
episodes on Google Inc.'s  YouTube .  &#xD;
  Geduld added his e-mail address to the credits, along with this line: "Please give me a job. I'm talented."  &#xD;
  Actually, that was a joke. Geduld didn't think much could come of it.  &#xD;
  But he was underestimating how much the Internet has broadened the ways&#xD;
people get discovered today, often for jobs in the entertainment&#xD;
industry that didn't exist until a few years ago.  &#xD;
  startclickprintexclude  &#xD;
  &#xD;
  Don't Miss  &#xD;
  &#xD;
    Special Report: Your Digital World   &#xD;
  &#xD;
  &#xD;
  endclickprintexclude  &#xD;
  Enough people liked "The Skeletor Show" that it got mentioned on some&#xD;
popular blogs. Before long, several Web sites were paying Geduld to do&#xD;
similar comedic "mash-ups" for them. Video portal Heavy.com hired&#xD;
Geduld to be a voice for its new horror channel.  &#xD;
  When he got the&#xD;
first e-mail inquiring about his services, Geduld, 30, was shocked. "Oh&#xD;
my God, this actually worked!" he thought. The first few gigs paid only&#xD;
around $500. But now he's making "enough to support myself," and offers&#xD;
keep coming. A tech company asked if he'd do promotional material. He&#xD;
got invited to a sci-fi convention.  &#xD;
  "It just gets better and better," Geduld says. "I'm thinking of getting an agent."  &#xD;
  One of Hollywood's animating legends is the story of the ingenue who&#xD;
got discovered by a studio honcho while she sipped a soda in a&#xD;
drugstore. The myth spoke to the lightning-strike luck that making it&#xD;
big generally took in a system controlled by a few big studios.  &#xD;
  Now, the Web has blown things open. It is easier than ever to get&#xD;
discovered. Web sites trying to develop into entertainment hubs are&#xD;
hungry for people to write, shoot or star in new content, so its&#xD;
representatives scan for talent in the piles of homemade videos on  MySpace , YouTube, Revver and personal blogs.  &#xD;
  It's certainly no secret that the Web can launch new faces. The medium&#xD;
already has its tales of regular Janes who made it big, like Lisa&#xD;
Donovan, who leaped from YouTube to the cast of Fox's "MadTV," and&#xD;
Brooke Brodack, a Net video character signed to a TV production deal by&#xD;
Carson Daly. This is the vision that drove the creators of YouTube's&#xD;
"LonelyGirl15" faux-reality videos.  &#xD;
  But the lesser-known story&#xD;
is of non-stars like Geduld, riding the Web's radical openness to find&#xD;
new kinds of online entertainment work.  &#xD;
  Often these online jobs&#xD;
are with sites that may be a step above the user-generated schlock of&#xD;
YouTube, but still are sorting out the economics of attracting&#xD;
advertising. As a result, discovery sometimes comes with modest&#xD;
trappings. And it often extends to people who wouldn't have made it&#xD;
through Hollywood's old-school gatekeepers -- or even tried.  &#xD;
  Consider the experience of Jessica Hagy, a 29-year-old freelance advertising copywriter in Ohio.  &#xD;
  Last fall she started a blog that commented on the world through clever diagrams. (You have to see it to get it -- check out  http://indexed.blogspot.com )&#xD;
Aft er brothers Gregg and Evan Spiridellis encountered the blog in Los&#xD;
Angeles, they e-mailed Hagy and eventually asked her to produce&#xD;
diagrams for content debuting this fall on their growing comedy site,&#xD;
JibJab.com. There aren't big bucks involved, maybe a few thousand,&#xD;
depending on how much advertising the segments attract.  &#xD;
  "It just&#xD;
seems to be the new modus operandi for creative people," says Hagy, who&#xD;
has yet to meet the Spiridellis brothers in person. "There are so many&#xD;
more people out there than you could find before. ... I was just a&#xD;
random kid in Columbus, Ohio. How was I supposed to find anybody under&#xD;
the old way?"  &#xD;
  This is not to say everyone who airs dumb stunts&#xD;
or lip-synchs on YouTube has a chance of landing real work.&#xD;
Representatives of professionally produced content sites who pore&#xD;
through user-generated videos see more rough than diamonds. When there&#xD;
are decent finds, competition can be intense.  &#xD;
  Jason Marks, a&#xD;
former MTV executive who oversees programming and development for&#xD;
Heavy.com, swears this story is true, and that similar things happen&#xD;
several times a month:  &#xD;
  A while back he came across a YouTube&#xD;
video of some young guys "in their dorm room, flicking boogers on their&#xD;
wall." Marks was only mildly amused, but he sensed there might be&#xD;
something in these kids, so he figured he'd scope them out. Marks says&#xD;
he left a message for them -- and got his call returned by someone in a&#xD;
very prominent talent agency.  &#xD;
  "They refer us to their agent!" Marks says. "I'm not even kidding, man."  &#xD;
  In many ways, today's talent search is a reprise of the height of the&#xD;
dot-com boom. Then, sites such as AntEye, Icebox, Mediatrip and Z.com&#xD;
cast themselves as "incubators" and served as scouts for film studios&#xD;
and television networks, essentially producing low-cost pilots and&#xD;
hoping for a hit.  &#xD;
  That model has resurfaced. Last year, UTA, one&#xD;
of Hollywood's biggest talent agencies, launched an online division to&#xD;
scout for people who could be in videos for ad agencies, Web sites and&#xD;
traditional media outlets. While most agencies refuse unsolicited work,&#xD;
UTA encourages online submissions.  &#xD;
  Grouper.com, a site owned by&#xD;
Sony Corp., recently decided to stop trying to make money from&#xD;
user-generated videos and will focus instead, under the name Crackle,&#xD;
on scouting online prodigies for Sony.  &#xD;
  But Steven Starr, a&#xD;
former talent agent who heads the Web video site Revver, says what he&#xD;
sees emerging is "a creator economy online" whereby the Internet will&#xD;
carve out its own slice of the action, rather than just serving as a&#xD;
development league for TV and film.  &#xD;
  "That will start to make it&#xD;
possible for any creator to develop income and careers online and not&#xD;
just be fodder for large media enterprises that are looking to move&#xD;
them off onto other platforms," Starr says.  &#xD;
  Even if untapped&#xD;
talent is not necessarily easy to find, the economics of Web&#xD;
entertainment startups dictates that they try hard to do it. Old-school&#xD;
casting calls -- and Hollywood's union contracts -- wouldn't work for&#xD;
digital media that comes together quickly and relatively cheaply.  &#xD;
  "Hollywood as it exists today was built to produce a relatively small&#xD;
number of very large productions," says JibJab's Gregg Spiridellis.&#xD;
"The new studios ... in digital are going to exist in a way where they&#xD;
can produce a very large number of small productions. I need to produce&#xD;
content at the price of the craft services table on a television shoot."  &#xD;
  Sometimes, online video can juice an entertainment career already in progress.  &#xD;
  Nick Stevens had a decent life as a comedian in New York, supporting&#xD;
himself with acting and writing gigs on TV and radio. But things got&#xD;
more interesting after he launched a zero-budget video blog in his&#xD;
living room. Called TownieNews.com, it features rants by fictional&#xD;
Boston sports nut Paul "Fitzy" Fitzgerald.  &#xD;
  Fitzy developed such&#xD;
an online following that a Boston TV station, believing he was real,&#xD;
called to set up an interview. (Stevens set the reporters straight.)&#xD;
The blog also got noticed by the people at Heavy.com, who hired Stevens&#xD;
to host their regular "SportsCenter" takeoff known as "The Burly Sports&#xD;
Show." Stevens plays himself, more or less, but Fitzy appears as a&#xD;
character.  &#xD;
  Stevens, 33, says he lives pretty well on what he&#xD;
gets paid to do two of the online episodes every week -- which&#xD;
sometimes amazes him.  &#xD;
  "The guy who was buying his coffees with&#xD;
nickels and dimes in 2003 and having beans on toast for lunch is very&#xD;
thankful," he says. "The Web is great. The single greatest distraction&#xD;
from employment is also the single greatest enabler of employment."  &#xD;
    &#xD;
  Original article: http://www.cnn.com/2007/TECH/08/01/discovered.web. ap/index.html</content:encoded>
      <enclosure url="http://media.kickstatic.com/kickapps/images/22042/photos/PHOTO_998178_22042_2045228_ap_100X75.jpg" type="text/html" />
      <pubDate>Wed, 09 Apr 2008 20:08:03 GMT</pubDate>
      <guid>http://community.mydreampower.com/_-How-to-get-discovered-on-the-Internet/BLOG/47578/22042.html</guid>
      <dc:creator>spiritdancer</dc:creator>
      <dc:date>2008-04-09T20:08:03Z</dc:date>
      <media:content expression="full" type="text/html" isDefault="true" url="http://media.kickstatic.com/kickapps/images/22042/photos/PHOTO_998178_22042_2045228_ap_100X75.jpg">
        <media:category>Creativity</media:category>
        <media:credit role="publishing company" scheme="urn:ebu">The Old Dream Club</media:credit>
        <media:description>Go ahead, post that dumb video online, you could get some work    &#xD;
      LOS ANGELES, California (AP)     -- Voice-over work in&#xD;
Indiana wasn't too lucrative, so Daniel Geduld made a classic actor's&#xD;
move: He headed for Los Angeles, Califronia. And like most Hollywood&#xD;
dreamers, Geduld didn't get hired for much.  &#xD;
  So Geduld combined&#xD;
his creative talents with his abundance of free time. He took footage&#xD;
from the 1980s "He-Man and the Masters of the Universe" cartoons,&#xD;
re-edited it and redubbed it to make the evil Skeletor and his cronies&#xD;
into a bumbling gang of losers. Geduld added incongruously peppy jazz&#xD;
by Django Reinhardt, called his farce "The Skeletor Show" and posted&#xD;
episodes on Google Inc.'s  YouTube .  &#xD;
  Geduld added his e-mail address to the credits, along with this line: "Please give me a job. I'm talented."  &#xD;
  Actually, that was a joke. Geduld didn't think much could come of it.  &#xD;
  But he was underestimating how much the Internet has broadened the ways&#xD;
people get discovered today, often for jobs in the entertainment&#xD;
industry that didn't exist until a few years ago.  &#xD;
  startclickprintexclude  &#xD;
  &#xD;
  Don't Miss  &#xD;
  &#xD;
    Special Report: Your Digital World   &#xD;
  &#xD;
  &#xD;
  endclickprintexclude  &#xD;
  Enough people liked "The Skeletor Show" that it got mentioned on some&#xD;
popular blogs. Before long, several Web sites were paying Geduld to do&#xD;
similar comedic "mash-ups" for them. Video portal Heavy.com hired&#xD;
Geduld to be a voice for its new horror channel.  &#xD;
  When he got the&#xD;
first e-mail inquiring about his services, Geduld, 30, was shocked. "Oh&#xD;
my God, this actually worked!" he thought. The first few gigs paid only&#xD;
around $500. But now he's making "enough to support myself," and offers&#xD;
keep coming. A tech company asked if he'd do promotional material. He&#xD;
got invited to a sci-fi convention.  &#xD;
  "It just gets better and better," Geduld says. "I'm thinking of getting an agent."  &#xD;
  One of Hollywood's animating legends is the story of the ingenue who&#xD;
got discovered by a studio honcho while she sipped a soda in a&#xD;
drugstore. The myth spoke to the lightning-strike luck that making it&#xD;
big generally took in a system controlled by a few big studios.  &#xD;
  Now, the Web has blown things open. It is easier than ever to get&#xD;
discovered. Web sites trying to develop into entertainment hubs are&#xD;
hungry for people to write, shoot or star in new content, so its&#xD;
representatives scan for talent in the piles of homemade videos on  MySpace , YouTube, Revver and personal blogs.  &#xD;
  It's certainly no secret that the Web can launch new faces. The medium&#xD;
already has its tales of regular Janes who made it big, like Lisa&#xD;
Donovan, who leaped from YouTube to the cast of Fox's "MadTV," and&#xD;
Brooke Brodack, a Net video character signed to a TV production deal by&#xD;
Carson Daly. This is the vision that drove the creators of YouTube's&#xD;
"LonelyGirl15" faux-reality videos.  &#xD;
  But the lesser-known story&#xD;
is of non-stars like Geduld, riding the Web's radical openness to find&#xD;
new kinds of online entertainment work.  &#xD;
  Often these online jobs&#xD;
are with sites that may be a step above the user-generated schlock of&#xD;
YouTube, but still are sorting out the economics of attracting&#xD;
advertising. As a result, discovery sometimes comes with modest&#xD;
trappings. And it often extends to people who wouldn't have made it&#xD;
through Hollywood's old-school gatekeepers -- or even tried.  &#xD;
  Consider the experience of Jessica Hagy, a 29-year-old freelance advertising copywriter in Ohio.  &#xD;
  Last fall she started a blog that commented on the world through clever diagrams. (You have to see it to get it -- check out  http://indexed.blogspot.com )&#xD;
Aft er brothers Gregg and Evan Spiridellis encountered the blog in Los&#xD;
Angeles, they e-mailed Hagy and eventually asked her to produce&#xD;
diagrams for content debuting this fall on their growing comedy site,&#xD;
JibJab.com. There aren't big bucks involved, maybe a few thousand,&#xD;
depending on how much advertising the segments attract.  &#xD;
  "It just&#xD;
seems to be the new modus operandi for creative people," says Hagy, who&#xD;
has yet to meet the Spiridellis brothers in person. "There are so many&#xD;
more people out there than you could find before. ... I was just a&#xD;
random kid in Columbus, Ohio. How was I supposed to find anybody under&#xD;
the old way?"  &#xD;
  This is not to say everyone who airs dumb stunts&#xD;
or lip-synchs on YouTube has a chance of landing real work.&#xD;
Representatives of professionally produced content sites who pore&#xD;
through user-generated videos see more rough than diamonds. When there&#xD;
are decent finds, competition can be intense.  &#xD;
  Jason Marks, a&#xD;
former MTV executive who oversees programming and development for&#xD;
Heavy.com, swears this story is true, and that similar things happen&#xD;
several times a month:  &#xD;
  A while back he came across a YouTube&#xD;
video of some young guys "in their dorm room, flicking boogers on their&#xD;
wall." Marks was only mildly amused, but he sensed there might be&#xD;
something in these kids, so he figured he'd scope them out. Marks says&#xD;
he left a message for them -- and got his call returned by someone in a&#xD;
very prominent talent agency.  &#xD;
  "They refer us to their agent!" Marks says. "I'm not even kidding, man."  &#xD;
  In many ways, today's talent search is a reprise of the height of the&#xD;
dot-com boom. Then, sites such as AntEye, Icebox, Mediatrip and Z.com&#xD;
cast themselves as "incubators" and served as scouts for film studios&#xD;
and television networks, essentially producing low-cost pilots and&#xD;
hoping for a hit.  &#xD;
  That model has resurfaced. Last year, UTA, one&#xD;
of Hollywood's biggest talent agencies, launched an online division to&#xD;
scout for people who could be in videos for ad agencies, Web sites and&#xD;
traditional media outlets. While most agencies refuse unsolicited work,&#xD;
UTA encourages online submissions.  &#xD;
  Grouper.com, a site owned by&#xD;
Sony Corp., recently decided to stop trying to make money from&#xD;
user-generated videos and will focus instead, under the name Crackle,&#xD;
on scouting online prodigies for Sony.  &#xD;
  But Steven Starr, a&#xD;
former talent agent who heads the Web video site Revver, says what he&#xD;
sees emerging is "a creator economy online" whereby the Internet will&#xD;
carve out its own slice of the action, rather than just serving as a&#xD;
development league for TV and film.  &#xD;
  "That will start to make it&#xD;
possible for any creator to develop income and careers online and not&#xD;
just be fodder for large media enterprises that are looking to move&#xD;
them off onto other platforms," Starr says.  &#xD;
  Even if untapped&#xD;
talent is not necessarily easy to find, the economics of Web&#xD;
entertainment startups dictates that they try hard to do it. Old-school&#xD;
casting calls -- and Hollywood's union contracts -- wouldn't work for&#xD;
digital media that comes together quickly and relatively cheaply.  &#xD;
  "Hollywood as it exists today was built to produce a relatively small&#xD;
number of very large productions," says JibJab's Gregg Spiridellis.&#xD;
"The new studios ... in digital are going to exist in a way where they&#xD;
can produce a very large number of small productions. I need to produce&#xD;
content at the price of the craft services table on a television shoot."  &#xD;
  Sometimes, online video can juice an entertainment career already in progress.  &#xD;
  Nick Stevens had a decent life as a comedian in New York, supporting&#xD;
himself with acting and writing gigs on TV and radio. But things got&#xD;
more interesting after he launched a zero-budget video blog in his&#xD;
living room. Called TownieNews.com, it features rants by fictional&#xD;
Boston sports nut Paul "Fitzy" Fitzgerald.  &#xD;
  Fitzy developed such&#xD;
an online following that a Boston TV station, believing he was real,&#xD;
called to set up an interview. (Stevens set the reporters straight.)&#xD;
The blog also got noticed by the people at Heavy.com, who hired Stevens&#xD;
to host their regular "SportsCenter" takeoff known as "The Burly Sports&#xD;
Show." Stevens plays himself, more or less, but Fitzy appears as a&#xD;
character.  &#xD;
  Stevens, 33, says he lives pretty well on what he&#xD;
gets paid to do two of the online episodes every week -- which&#xD;
sometimes amazes him.  &#xD;
  "The guy who was buying his coffees with&#xD;
nickels and dimes in 2003 and having beans on toast for lunch is very&#xD;
thankful," he says. "The Web is great. The single greatest distraction&#xD;
from employment is also the single greatest enabler of employment."  &#xD;
    &#xD;
  Original article: http://www.cnn.com/2007/TECH/08/01/discovered.web. ap/index.html</media:description>
        <media:keywords>creativity, getting work, online video</media:keywords>
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        <media:title>How to get discovered on the Internet</media:title>
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    <item>
      <title>Make a donation to help make the Star Kids Movie</title>
      <link>http://community.mydreampower.com/_Make-a-donation-to-help-make-the-Star-Kids-Movie/BLOG/46575/22042.html</link>
      <description>[image]  [image]Hello, my name is William Spiritdancer and I am founder of&#xD;
Dream Power International, a non-profit who's mission is to help people with&#xD;
their gifts and life purpose. What we call their "true dream" in&#xD;
life. Our goal is to help people discover what they love to do (their&#xD;
gifts) and apply it to a problem in the world they care about (their&#xD;
purpose). We believe our gifts are to be shared as unconditionally as&#xD;
possible and so we follow "The Economics of Love" and give all of our products&#xD;
and services away as freely as possible. How do we do this? We have&#xD;
many cool projects the first of which is our Social Community Website&#xD;
  MyDreamPower.com  which I would love for you to join. We also give away&#xD;
our last film a documentary "Journey of the Dream Warrior" free of charge.    You can view it on our website or we can&#xD;
send you a DVD if you like.    Please&#xD;
check out our website for our other programs.  &#xD;
      &#xD;
  The reason I am writing is because I need you financial help&#xD;
to make our next movie, a children's film called Star Kids. The purpose&#xD;
of Star Kids is to teach inner city kids the positive values of Peace Truth,&#xD;
Love and Unity. We want to do this to counter all of the negative values&#xD;
they are learning from home, the street and other media such as rap music&#xD;
etc. We also want to show inner-city kids doing non-stereotypical things&#xD;
in film such as climbing mountains, taking initiative, being creative etc.    In alignment with our mission, we also want&#xD;
to use the film to teach kids that every child has a gift and a purpose. (In&#xD;
this case their purpose is to save the world!)    And lastly we want to stimulate a discussion about why so much negative&#xD;
media is aimed at inner-city kids perpetuating many of the problems we see in&#xD;
the inner city.    Our goal is to film the&#xD;
movie this summer, edit it this fall and release it in early 2009. We&#xD;
plan to distribute it free of charge to children all over the world via the&#xD;
Internet, local screening and free DVDs at youth organizations such as the Boys&#xD;
and girls club. Our goal is that one million kids will see this film.     Please go to our website to find out more.  &#xD;
     You can make a donation here:  Star Kids Donation     As a thank you, you will get free&#xD;
tickets, DVD's, premier party invites etc.  &#xD;
     Thank you very much for all of your help.  &#xD;
    &#xD;
  William &amp;amp; Roxann Spiritdancer  &#xD;
  Founders, Dream Power International  &#xD;
  Email:  dreams@mydreampower.com   &#xD;
  Tel: 206-274-6276  &#xD;
    Web:  MyDreamPower.com      ~What's your dream?       ***   Help one million kids learn the important values of peace, truth, love and unity   by helping us make the children's film, Star Kids: Awakening to Purpose!   Check it out at  Star Kids the Movie    ***</description>
      <content:encoded>[image]  [image]Hello, my name is William Spiritdancer and I am founder of&#xD;
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life. Our goal is to help people discover what they love to do (their&#xD;
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purpose). We believe our gifts are to be shared as unconditionally as&#xD;
possible and so we follow "The Economics of Love" and give all of our products&#xD;
and services away as freely as possible. How do we do this? We have&#xD;
many cool projects the first of which is our Social Community Website&#xD;
  MyDreamPower.com  which I would love for you to join. We also give away&#xD;
our last film a documentary "Journey of the Dream Warrior" free of charge.    You can view it on our website or we can&#xD;
send you a DVD if you like.    Please&#xD;
check out our website for our other programs.  &#xD;
      &#xD;
  The reason I am writing is because I need you financial help&#xD;
to make our next movie, a children's film called Star Kids. The purpose&#xD;
of Star Kids is to teach inner city kids the positive values of Peace Truth,&#xD;
Love and Unity. We want to do this to counter all of the negative values&#xD;
they are learning from home, the street and other media such as rap music&#xD;
etc. We also want to show inner-city kids doing non-stereotypical things&#xD;
in film such as climbing mountains, taking initiative, being creative etc.    In alignment with our mission, we also want&#xD;
to use the film to teach kids that every child has a gift and a purpose. (In&#xD;
this case their purpose is to save the world!)    And lastly we want to stimulate a discussion about why so much negative&#xD;
media is aimed at inner-city kids perpetuating many of the problems we see in&#xD;
the inner city.    Our goal is to film the&#xD;
movie this summer, edit it this fall and release it in early 2009. We&#xD;
plan to distribute it free of charge to children all over the world via the&#xD;
Internet, local screening and free DVDs at youth organizations such as the Boys&#xD;
and girls club. Our goal is that one million kids will see this film.     Please go to our website to find out more.  &#xD;
     You can make a donation here:  Star Kids Donation     As a thank you, you will get free&#xD;
tickets, DVD's, premier party invites etc.  &#xD;
     Thank you very much for all of your help.  &#xD;
    &#xD;
  William &amp;amp; Roxann Spiritdancer  &#xD;
  Founders, Dream Power International  &#xD;
  Email:  dreams@mydreampower.com   &#xD;
  Tel: 206-274-6276  &#xD;
    Web:  MyDreamPower.com      ~What's your dream?       ***   Help one million kids learn the important values of peace, truth, love and unity   by helping us make the children's film, Star Kids: Awakening to Purpose!   Check it out at  Star Kids the Movie    ***</content:encoded>
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their gifts and life purpose. What we call their "true dream" in&#xD;
life. Our goal is to help people discover what they love to do (their&#xD;
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  The reason I am writing is because I need you financial help&#xD;
to make our next movie, a children's film called Star Kids. The purpose&#xD;
of Star Kids is to teach inner city kids the positive values of Peace Truth,&#xD;
Love and Unity. We want to do this to counter all of the negative values&#xD;
they are learning from home, the street and other media such as rap music&#xD;
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     Thank you very much for all of your help.  &#xD;
    &#xD;
  William &amp;amp; Roxann Spiritdancer  &#xD;
  Founders, Dream Power International  &#xD;
  Email:  dreams@mydreampower.com   &#xD;
  Tel: 206-274-6276  &#xD;
    Web:  MyDreamPower.com      ~What's your dream?       ***   Help one million kids learn the important values of peace, truth, love and unity   by helping us make the children's film, Star Kids: Awakening to Purpose!   Check it out at  Star Kids the Movie    ***</media:description>
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      <description>Namaste  &#xD;
  One of my favorite quotes is from a poem by T. S. Elliot, "the darkness becomes the light and the stillness the dancing." When one learns to embrace the sacred stillness the light within arises and all is given. Nourish and cultivate the seed of light within you by weeding out thoughts of fear and anxiety. In due time you will bloom, ripen and bear fruits of the spirit.  &#xD;
  Om Shanti.........Yvonne</description>
      <content:encoded>Namaste  &#xD;
  One of my favorite quotes is from a poem by T. S. Elliot, "the darkness becomes the light and the stillness the dancing." When one learns to embrace the sacred stillness the light within arises and all is given. Nourish and cultivate the seed of light within you by weeding out thoughts of fear and anxiety. In due time you will bloom, ripen and bear fruits of the spirit.  &#xD;
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      <ka:points>0</ka:points>
      <ka:duration />
    </item>
    <item>
      <title>The Social Media Connection: How to Get Search Engines to Love Your Site</title>
      <link>http://community.mydreampower.com/_The-Social-Media-Connection-How-to-Get-Search-Engines-to-Love-Your-Site/BLOG/31941/22042.html</link>
      <description>Like                    China                    , the Internet&#xD;
is a huge new market. It's up to you to figure out what to do with it. Use it&#xD;
as a prospecting tool, make connections with people, add value for your&#xD;
existing customers."            &#xD;
      - Larry Chase      &#xD;
             The Social Media Connection: How to&#xD;
Get Search Engines to Love Your Site          &#xD;
          By  Alexis Siemon           &#xD;
      In&#xD;
the world of search engine marketing, links are extremely important. Search&#xD;
engines view inbound links to your website as votes - endorsements of your site&#xD;
and its content. The more of these votes your site receives, the more the&#xD;
search engines regard it as a trusted source and the more likely you are to&#xD;
rank high in their search results for your keywords.      &#xD;
      There&#xD;
are many different kinds of websites you can get links from. There are links&#xD;
from big trusted sites and directories like Yahoo and DMOZ, links from relevant&#xD;
vertical search engines, links from respected industry organizations, links from&#xD;
forums and blogs, and so on. And there are almost as many techniques for&#xD;
getting the links from these sites that the search engines love.      &#xD;
      Today,&#xD;
I'll talk about one of those techniques: how to use social media for building&#xD;
links.      &#xD;
      The&#xD;
term "social media" typically refers to social news sites like Digg,&#xD;
social bookmarking sites like  del.icio.us  and StumbleUpon, and social&#xD;
networking sites like MySpace and FaceBook. Social news and social bookmarking&#xD;
sites are the most common social media sites used in a link-building effort.      &#xD;
      These&#xD;
sites were designed specifically for people with shared interests to post and&#xD;
vote for content all over the Internet. Social media is a great way to get your&#xD;
articles and website content in front of a large group of people in a relatively&#xD;
short amount of time. And this can generate lots of traffic to your site.      &#xD;
      Now&#xD;
you may be thinking:            "Um, didn't Patrick Coffey just tell me that&#xD;
social media will bring my site                    useless&#xD;
traffic                   ?"            Yes he did. And&#xD;
he's right... mostly.      &#xD;
      Through&#xD;
my own recent experiments with link building through social media (as Patrick&#xD;
mentioned), I attracted over 28,000 visitors to our health-newsletter site,                      Total Health&#xD;
Breakthroughs                     .                And&#xD;
a measly 0.2 percent of those visitors signed up for the newsletter. If this&#xD;
were the only marketing technique we were using to build the e-mail list for the&#xD;
newsletter, we'd be in some seriously sorry shape.      &#xD;
      We've&#xD;
made some improvements to ensure that our conversion rate will be higher next&#xD;
time. Still, despite getting a disappointing number of subscribers from all&#xD;
that traffic, my little experiment with social media did have a positive side.&#xD;
It also resulted in about 600 inbound links.      &#xD;
      This&#xD;
is how social media can give you a big boost, especially if you are just&#xD;
starting out building links for a new site. If a page of your site makes the&#xD;
first page on Digg or gets a lot of reviews on StumbleUpon, you get that much&#xD;
more exposure to Web users who have their own sites and blogs. If these&#xD;
bloggers and website owners like your content, they'll link to you. This has&#xD;
the potential to build your links exponentially! And remember, the search&#xD;
engines love it when your site has lots of relevant inbound links.      &#xD;
          "All right, you've convinced me! So now what do I do?"          &#xD;
          1. First, you have to have interesting content.          &#xD;
      For&#xD;
some ideas on how to create top-notch content that will help your website's&#xD;
pages do well on social media sites, take a look at David Cross's "          Bad&#xD;
Writer's Guide to Creating Website Content         "                and&#xD;
Patrick Coffey's "          Creating Content for Your Website         ."      &#xD;
          2. Then you have to present that good content in ways that&#xD;
will get the attention of social media junkies.          &#xD;
      Here&#xD;
are four types of content that social media users love:      &#xD;
  &#xD;
          Lists             -&#xD;
 Some would say lists are cliched or overused by now, but they still work.&#xD;
 Top-10 lists seem to do really well, particularly on Digg. As I write&#xD;
 this, there is a story on the first page of Digg with the headline "The&#xD;
 Top 10 Places to Take a Techie on a Date." So if you can rework a&#xD;
 page of your content or one of your articles into a Top-10 list, give it a&#xD;
 shot.              &#xD;
  &#xD;
  &#xD;
          How-To Articles             -&#xD;
 Like lists, how-to guides do well. If you're in the business of teaching&#xD;
 people how things are done, you're one step ahead of the game.              &#xD;
  &#xD;
  &#xD;
          Controversial Topics             -&#xD;
 People love controversy, but use this tactic wisely. You don't want to&#xD;
 misrepresent yourself or your site. You just want to create a buzz.              &#xD;
  &#xD;
  &#xD;
          Catchy Headlines            -&#xD;
 As with every other form of marketing, your headline is key in social&#xD;
 media. Craft it carefully to attract the most attention.              &#xD;
  &#xD;
          3. In addition to having the right content on your&#xD;
website, you have to comply with social media's unwritten code of conduct.          &#xD;
      There&#xD;
is a reason social media is also known as social            networking            . When&#xD;
you create an account on a social media/networking website, you are literally&#xD;
signing up to be part of a community. Kind of like a condo association, the&#xD;
early adopters and hardcore users of social media sites take their communities&#xD;
very seriously. And they like it best when you play along.      &#xD;
      If&#xD;
there's anything this society hates, it's overt marketing. If they suspect you&#xD;
are participating in their network purely to promote your site, they will&#xD;
report your submissions as spam and can even have the site disable your&#xD;
account. So here are some tips to help you appear more like a real person and&#xD;
less like a loathsome marketer.      &#xD;
  &#xD;
          Upload an Avatar             -&#xD;
 An avatar is a little picture that's associated with your account. It's a&#xD;
 pixilated ambassador that represents you and all the actions you perform&#xD;
 on your account. An account profile without an avatar is a pretty good&#xD;
 indicator of a marketer.              &#xD;
  &#xD;
  &#xD;
          Don't Submit Content Solely&#xD;
 From Your Website            - This would seem like a&#xD;
 no-brainer, but it is often forgotten. If the only pages you submit to a&#xD;
 social media site are from your website, chances are you're a marketer.              &#xD;
  &#xD;
  &#xD;
          Add Friends            -&#xD;
 Friends will usually vote for the content you submit. The more friends you&#xD;
 have, the more votes for your content. The more votes you have, the better&#xD;
 your chances of getting content on the first page of the social media&#xD;
 site. But remember to reciprocate. Nobody likes a taker.              &#xD;
  &#xD;
  &#xD;
          Be a Real Person             -&#xD;
 A surefire way to look like a real person and not a marketer is to&#xD;
 actually            be             a real person. Social media&#xD;
 sites are fun! That's why they're so successful.              &#xD;
  &#xD;
      Let&#xD;
yourself go, and truly participate in the community. Make friends. Comment on&#xD;
posts. Discover new websites. When you do submit something from your own site,&#xD;
it will simply be another genuine contribution of great content. After all,&#xD;
marketers are people too, right?      &#xD;
      Using&#xD;
social media to build links to your website can help boost your search engine&#xD;
rankings. It's a lot of work, but it can also be rewarding... and entertaining.&#xD;
Follow these tips and you'll be well on your way to driving            useful             traffic&#xD;
to your website.      &#xD;
      [Ed.&#xD;
Note: Alexis Siemon is ETR's resident Search Engine Marketing Specialist. Get&#xD;
step-by-step instructions for starting your own Internet business with ETR's                      Magic Button                            program             .]</description>
      <content:encoded>Like                    China                    , the Internet&#xD;
is a huge new market. It's up to you to figure out what to do with it. Use it&#xD;
as a prospecting tool, make connections with people, add value for your&#xD;
existing customers."            &#xD;
      - Larry Chase      &#xD;
             The Social Media Connection: How to&#xD;
Get Search Engines to Love Your Site          &#xD;
          By  Alexis Siemon           &#xD;
      In&#xD;
the world of search engine marketing, links are extremely important. Search&#xD;
engines view inbound links to your website as votes - endorsements of your site&#xD;
and its content. The more of these votes your site receives, the more the&#xD;
search engines regard it as a trusted source and the more likely you are to&#xD;
rank high in their search results for your keywords.      &#xD;
      There&#xD;
are many different kinds of websites you can get links from. There are links&#xD;
from big trusted sites and directories like Yahoo and DMOZ, links from relevant&#xD;
vertical search engines, links from respected industry organizations, links from&#xD;
forums and blogs, and so on. And there are almost as many techniques for&#xD;
getting the links from these sites that the search engines love.      &#xD;
      Today,&#xD;
I'll talk about one of those techniques: how to use social media for building&#xD;
links.      &#xD;
      The&#xD;
term "social media" typically refers to social news sites like Digg,&#xD;
social bookmarking sites like  del.icio.us  and StumbleUpon, and social&#xD;
networking sites like MySpace and FaceBook. Social news and social bookmarking&#xD;
sites are the most common social media sites used in a link-building effort.      &#xD;
      These&#xD;
sites were designed specifically for people with shared interests to post and&#xD;
vote for content all over the Internet. Social media is a great way to get your&#xD;
articles and website content in front of a large group of people in a relatively&#xD;
short amount of time. And this can generate lots of traffic to your site.      &#xD;
      Now&#xD;
you may be thinking:            "Um, didn't Patrick Coffey just tell me that&#xD;
social media will bring my site                    useless&#xD;
traffic                   ?"            Yes he did. And&#xD;
he's right... mostly.      &#xD;
      Through&#xD;
my own recent experiments with link building through social media (as Patrick&#xD;
mentioned), I attracted over 28,000 visitors to our health-newsletter site,                      Total Health&#xD;
Breakthroughs                     .                And&#xD;
a measly 0.2 percent of those visitors signed up for the newsletter. If this&#xD;
were the only marketing technique we were using to build the e-mail list for the&#xD;
newsletter, we'd be in some seriously sorry shape.      &#xD;
      We've&#xD;
made some improvements to ensure that our conversion rate will be higher next&#xD;
time. Still, despite getting a disappointing number of subscribers from all&#xD;
that traffic, my little experiment with social media did have a positive side.&#xD;
It also resulted in about 600 inbound links.      &#xD;
      This&#xD;
is how social media can give you a big boost, especially if you are just&#xD;
starting out building links for a new site. If a page of your site makes the&#xD;
first page on Digg or gets a lot of reviews on StumbleUpon, you get that much&#xD;
more exposure to Web users who have their own sites and blogs. If these&#xD;
bloggers and website owners like your content, they'll link to you. This has&#xD;
the potential to build your links exponentially! And remember, the search&#xD;
engines love it when your site has lots of relevant inbound links.      &#xD;
          "All right, you've convinced me! So now what do I do?"          &#xD;
          1. First, you have to have interesting content.          &#xD;
      For&#xD;
some ideas on how to create top-notch content that will help your website's&#xD;
pages do well on social media sites, take a look at David Cross's "          Bad&#xD;
Writer's Guide to Creating Website Content         "                and&#xD;
Patrick Coffey's "          Creating Content for Your Website         ."      &#xD;
          2. Then you have to present that good content in ways that&#xD;
will get the attention of social media junkies.          &#xD;
      Here&#xD;
are four types of content that social media users love:      &#xD;
  &#xD;
          Lists             -&#xD;
 Some would say lists are cliched or overused by now, but they still work.&#xD;
 Top-10 lists seem to do really well, particularly on Digg. As I write&#xD;
 this, there is a story on the first page of Digg with the headline "The&#xD;
 Top 10 Places to Take a Techie on a Date." So if you can rework a&#xD;
 page of your content or one of your articles into a Top-10 list, give it a&#xD;
 shot.              &#xD;
  &#xD;
  &#xD;
          How-To Articles             -&#xD;
 Like lists, how-to guides do well. If you're in the business of teaching&#xD;
 people how things are done, you're one step ahead of the game.              &#xD;
  &#xD;
  &#xD;
          Controversial Topics             -&#xD;
 People love controversy, but use this tactic wisely. You don't want to&#xD;
 misrepresent yourself or your site. You just want to create a buzz.              &#xD;
  &#xD;
  &#xD;
          Catchy Headlines            -&#xD;
 As with every other form of marketing, your headline is key in social&#xD;
 media. Craft it carefully to attract the most attention.              &#xD;
  &#xD;
          3. In addition to having the right content on your&#xD;
website, you have to comply with social media's unwritten code of conduct.          &#xD;
      There&#xD;
is a reason social media is also known as social            networking            . When&#xD;
you create an account on a social media/networking website, you are literally&#xD;
signing up to be part of a community. Kind of like a condo association, the&#xD;
early adopters and hardcore users of social media sites take their communities&#xD;
very seriously. And they like it best when you play along.      &#xD;
      If&#xD;
there's anything this society hates, it's overt marketing. If they suspect you&#xD;
are participating in their network purely to promote your site, they will&#xD;
report your submissions as spam and can even have the site disable your&#xD;
account. So here are some tips to help you appear more like a real person and&#xD;
less like a loathsome marketer.      &#xD;
  &#xD;
          Upload an Avatar             -&#xD;
 An avatar is a little picture that's associated with your account. It's a&#xD;
 pixilated ambassador that represents you and all the actions you perform&#xD;
 on your account. An account profile without an avatar is a pretty good&#xD;
 indicator of a marketer.              &#xD;
  &#xD;
  &#xD;
          Don't Submit Content Solely&#xD;
 From Your Website            - This would seem like a&#xD;
 no-brainer, but it is often forgotten. If the only pages you submit to a&#xD;
 social media site are from your website, chances are you're a marketer.              &#xD;
  &#xD;
  &#xD;
          Add Friends            -&#xD;
 Friends will usually vote for the content you submit. The more friends you&#xD;
 have, the more votes for your content. The more votes you have, the better&#xD;
 your chances of getting content on the first page of the social media&#xD;
 site. But remember to reciprocate. Nobody likes a taker.              &#xD;
  &#xD;
  &#xD;
          Be a Real Person             -&#xD;
 A surefire way to look like a real person and not a marketer is to&#xD;
 actually            be             a real person. Social media&#xD;
 sites are fun! That's why they're so successful.              &#xD;
  &#xD;
      Let&#xD;
yourself go, and truly participate in the community. Make friends. Comment on&#xD;
posts. Discover new websites. When you do submit something from your own site,&#xD;
it will simply be another genuine contribution of great content. After all,&#xD;
marketers are people too, right?      &#xD;
      Using&#xD;
social media to build links to your website can help boost your search engine&#xD;
rankings. It's a lot of work, but it can also be rewarding... and entertaining.&#xD;
Follow these tips and you'll be well on your way to driving            useful             traffic&#xD;
to your website.      &#xD;
      [Ed.&#xD;
Note: Alexis Siemon is ETR's resident Search Engine Marketing Specialist. Get&#xD;
step-by-step instructions for starting your own Internet business with ETR's                      Magic Button                            program             .]</content:encoded>
      <enclosure url="http://media.kickstatic.com/kickapps/images/22042/photos/PHOTO_998178_22042_2045228_ap_100X75.jpg" type="text/html" />
      <pubDate>Sun, 02 Mar 2008 06:29:05 GMT</pubDate>
      <guid>http://community.mydreampower.com/_The-Social-Media-Connection-How-to-Get-Search-Engines-to-Love-Your-Site/BLOG/31941/22042.html</guid>
      <dc:creator>spiritdancer</dc:creator>
      <dc:date>2008-03-02T06:29:05Z</dc:date>
      <media:content expression="full" type="text/html" isDefault="true" url="http://media.kickstatic.com/kickapps/images/22042/photos/PHOTO_998178_22042_2045228_ap_100X75.jpg">
        <media:category>Dream Power</media:category>
        <media:category>Dream Tools</media:category>
        <media:credit role="publishing company" scheme="urn:ebu">The Old Dream Club</media:credit>
        <media:description>Like                    China                    , the Internet&#xD;
is a huge new market. It's up to you to figure out what to do with it. Use it&#xD;
as a prospecting tool, make connections with people, add value for your&#xD;
existing customers."            &#xD;
      - Larry Chase      &#xD;
             The Social Media Connection: How to&#xD;
Get Search Engines to Love Your Site          &#xD;
          By  Alexis Siemon           &#xD;
      In&#xD;
the world of search engine marketing, links are extremely important. Search&#xD;
engines view inbound links to your website as votes - endorsements of your site&#xD;
and its content. The more of these votes your site receives, the more the&#xD;
search engines regard it as a trusted source and the more likely you are to&#xD;
rank high in their search results for your keywords.      &#xD;
      There&#xD;
are many different kinds of websites you can get links from. There are links&#xD;
from big trusted sites and directories like Yahoo and DMOZ, links from relevant&#xD;
vertical search engines, links from respected industry organizations, links from&#xD;
forums and blogs, and so on. And there are almost as many techniques for&#xD;
getting the links from these sites that the search engines love.      &#xD;
      Today,&#xD;
I'll talk about one of those techniques: how to use social media for building&#xD;
links.      &#xD;
      The&#xD;
term "social media" typically refers to social news sites like Digg,&#xD;
social bookmarking sites like  del.icio.us  and StumbleUpon, and social&#xD;
networking sites like MySpace and FaceBook. Social news and social bookmarking&#xD;
sites are the most common social media sites used in a link-building effort.      &#xD;
      These&#xD;
sites were designed specifically for people with shared interests to post and&#xD;
vote for content all over the Internet. Social media is a great way to get your&#xD;
articles and website content in front of a large group of people in a relatively&#xD;
short amount of time. And this can generate lots of traffic to your site.      &#xD;
      Now&#xD;
you may be thinking:            "Um, didn't Patrick Coffey just tell me that&#xD;
social media will bring my site                    useless&#xD;
traffic                   ?"            Yes he did. And&#xD;
he's right... mostly.      &#xD;
      Through&#xD;
my own recent experiments with link building through social media (as Patrick&#xD;
mentioned), I attracted over 28,000 visitors to our health-newsletter site,                      Total Health&#xD;
Breakthroughs                     .                And&#xD;
a measly 0.2 percent of those visitors signed up for the newsletter. If this&#xD;
were the only marketing technique we were using to build the e-mail list for the&#xD;
newsletter, we'd be in some seriously sorry shape.      &#xD;
      We've&#xD;
made some improvements to ensure that our conversion rate will be higher next&#xD;
time. Still, despite getting a disappointing number of subscribers from all&#xD;
that traffic, my little experiment with social media did have a positive side.&#xD;
It also resulted in about 600 inbound links.      &#xD;
      This&#xD;
is how social media can give you a big boost, especially if you are just&#xD;
starting out building links for a new site. If a page of your site makes the&#xD;
first page on Digg or gets a lot of reviews on StumbleUpon, you get that much&#xD;
more exposure to Web users who have their own sites and blogs. If these&#xD;
bloggers and website owners like your content, they'll link to you. This has&#xD;
the potential to build your links exponentially! And remember, the search&#xD;
engines love it when your site has lots of relevant inbound links.      &#xD;
          "All right, you've convinced me! So now what do I do?"          &#xD;
          1. First, you have to have interesting content.          &#xD;
      For&#xD;
some ideas on how to create top-notch content that will help your website's&#xD;
pages do well on social media sites, take a look at David Cross's "          Bad&#xD;
Writer's Guide to Creating Website Content         "                and&#xD;
Patrick Coffey's "          Creating Content for Your Website         ."      &#xD;
          2. Then you have to present that good content in ways that&#xD;
will get the attention of social media junkies.          &#xD;
      Here&#xD;
are four types of content that social media users love:      &#xD;
  &#xD;
          Lists             -&#xD;
 Some would say lists are cliched or overused by now, but they still work.&#xD;
 Top-10 lists seem to do really well, particularly on Digg. As I write&#xD;
 this, there is a story on the first page of Digg with the headline "The&#xD;
 Top 10 Places to Take a Techie on a Date." So if you can rework a&#xD;
 page of your content or one of your articles into a Top-10 list, give it a&#xD;
 shot.              &#xD;
  &#xD;
  &#xD;
          How-To Articles             -&#xD;
 Like lists, how-to guides do well. If you're in the business of teaching&#xD;
 people how things are done, you're one step ahead of the game.              &#xD;
  &#xD;
  &#xD;
          Controversial Topics             -&#xD;
 People love controversy, but use this tactic wisely. You don't want to&#xD;
 misrepresent yourself or your site. You just want to create a buzz.              &#xD;
  &#xD;
  &#xD;
          Catchy Headlines            -&#xD;
 As with every other form of marketing, your headline is key in social&#xD;
 media. Craft it carefully to attract the most attention.              &#xD;
  &#xD;
          3. In addition to having the right content on your&#xD;
website, you have to comply with social media's unwritten code of conduct.          &#xD;
      There&#xD;
is a reason social media is also known as social            networking            . When&#xD;
you create an account on a social media/networking website, you are literally&#xD;
signing up to be part of a community. Kind of like a condo association, the&#xD;
early adopters and hardcore users of social media sites take their communities&#xD;
very seriously. And they like it best when you play along.      &#xD;
      If&#xD;
there's anything this society hates, it's overt marketing. If they suspect you&#xD;
are participating in their network purely to promote your site, they will&#xD;
report your submissions as spam and can even have the site disable your&#xD;
account. So here are some tips to help you appear more like a real person and&#xD;
less like a loathsome marketer.      &#xD;
  &#xD;
          Upload an Avatar             -&#xD;
 An avatar is a little picture that's associated with your account. It's a&#xD;
 pixilated ambassador that represents you and all the actions you perform&#xD;
 on your account. An account profile without an avatar is a pretty good&#xD;
 indicator of a marketer.              &#xD;
  &#xD;
  &#xD;
          Don't Submit Content Solely&#xD;
 From Your Website            - This would seem like a&#xD;
 no-brainer, but it is often forgotten. If the only pages you submit to a&#xD;
 social media site are from your website, chances are you're a marketer.              &#xD;
  &#xD;
  &#xD;
          Add Friends            -&#xD;
 Friends will usually vote for the content you submit. The more friends you&#xD;
 have, the more votes for your content. The more votes you have, the better&#xD;
 your chances of getting content on the first page of the social media&#xD;
 site. But remember to reciprocate. Nobody likes a taker.              &#xD;
  &#xD;
  &#xD;
          Be a Real Person             -&#xD;
 A surefire way to look like a real person and not a marketer is to&#xD;
 actually            be             a real person. Social media&#xD;
 sites are fun! That's why they're so successful.              &#xD;
  &#xD;
      Let&#xD;
yourself go, and truly participate in the community. Make friends. Comment on&#xD;
posts. Discover new websites. When you do submit something from your own site,&#xD;
it will simply be another genuine contribution of great content. After all,&#xD;
marketers are people too, right?      &#xD;
      Using&#xD;
social media to build links to your website can help boost your search engine&#xD;
rankings. It's a lot of work, but it can also be rewarding... and entertaining.&#xD;
Follow these tips and you'll be well on your way to driving            useful             traffic&#xD;
to your website.      &#xD;
      [Ed.&#xD;
Note: Alexis Siemon is ETR's resident Search Engine Marketing Specialist. Get&#xD;
step-by-step instructions for starting your own Internet business with ETR's                      Magic Button                            program             .]</media:description>
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      <title>special: what filmmakers really think of the web</title>
      <link>http://community.mydreampower.com/_special-what-filmmakers-really-think-of-the-web-/BLOG/31938/22042.html</link>
      <description>Click the image or link below to watch the video    &#xD;
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      <pubDate>Sun, 02 Mar 2008 05:27:44 GMT</pubDate>
      <guid>http://community.mydreampower.com/_special-what-filmmakers-really-think-of-the-web-/BLOG/31938/22042.html</guid>
      <dc:creator>spiritdancer</dc:creator>
      <dc:date>2008-03-02T05:27:44Z</dc:date>
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      <title>How to do a project the spiritual way</title>
      <link>http://community.mydreampower.com/_How-to-do-a-project-the-spiritual-way/BLOG/31706/22042.html</link>
      <description>At some &#xD;
 point you are ready. Ready to do your work. But the task can seem so &#xD;
 daunting as to be totally undoable. We've reached this point on our &#xD;
 path where we know what to do but how to do it? No matter what your &#xD;
 project is I would like to intro duce you to a new way of bringing it &#xD;
 into form. It is at this stage that we will be tempted to run back to &#xD;
 the old fearful ways of the old world. But, don't forget it was because &#xD;
 we realized that those fearful pushy ways didn't serve us that we started &#xD;
 on this path in the first place. That is why it is vitally important &#xD;
 that at this stage of living our purpose we don't run back to the old &#xD;
 ways of the past. For many of us we will then be left in a quandary &#xD;
 " how to get our work done." All we've been taught is fear &#xD;
 based pushy coercive techniques to get anything done. But there is a &#xD;
 better way. It's a process of allowing instead of forcing.    &#xD;
    In our &#xD;
 society right now most things are done in a fearful pushing manner. &#xD;
 A manner that is out of sync with the universe. A manner, where you &#xD;
 feel you have to make something happen. What we are going to discuss &#xD;
 is a new way of getting things done by allowing them to happen. In this &#xD;
 process you will use trust and faith, prayer and intention to set things &#xD;
 in motion. Or rather, to get in tuned with what is already in motion. &#xD;
 The goal here is to align yourself with that which is already happening. &#xD;
 And to be a catalyst for it's unfoldment on Earth. This is totally different &#xD;
 from the old way of trying to will something into existence. Whatever &#xD;
 your project or work is, realize that ultimately it's God's project. &#xD;
 Please remember that no matter what the form, be it a book, a business, &#xD;
 a film or an invention. Don't start to think that it is your project &#xD;
 alone. Because when you start to think that way you feel alone and then &#xD;
 you feel that it is up to you to make it happen . Then you get stressed &#xD;
 out and fearful and start to use pushy coercive business tactics to &#xD;
 force it into existence. Pretty much 99.99% of the business done today &#xD;
 in our world is accomplished in this manner. It is a highly inefficient &#xD;
 way to get things done. Which is ironic, because to most of us this &#xD;
 new method will appear at first to be the inefficient one. Why, because &#xD;
 most of the time you will appear to be doing nothing of consequence. &#xD;
 But that is only because we normally think being busy and running around &#xD;
 is doing "work" when in reality most of that activity is just &#xD;
 wasted energy. This is especially true when the business or project &#xD;
 is going against the flow of the universe, which unfortunately happens &#xD;
 to be most of the time. In the future, which is upon us, we will complete &#xD;
 projects using this new method. The heart of this method is trust.    &#xD;
    When you &#xD;
 do a project in a spiritual way, you realize you are not alone and your &#xD;
 main goal is to get in alignment with that which exists already. You &#xD;
 want to get in tuned with what is already happening. When you do this &#xD;
 you because an instrument and things come into your awareness and start &#xD;
 to happen synchronistically. You don't follow mental "to do" &#xD;
 lists; instead you will be intuitively guided moment to moment. Sometimes &#xD;
 these inspirations will not make any logical sense at all. But it all &#xD;
 starts with the question, "God what would you have me do today." &#xD;
 Of course you will have needs, wishes and desires but you will give &#xD;
 those over to God. Then you will seek to get in alignment with Gods &#xD;
 solutions to what appears to be your problems. This is the proper way. &#xD;
 All the solutions already exist. It is only man today who believes himself &#xD;
 to be separate from God that thinks he must make things happen using &#xD;
 his own will power. But the power of Love is so much more powerful. &#xD;
 And, that's what we are really talking about. For this new way to work &#xD;
 you will only seek to do things that are in alignment with the higher &#xD;
 order. So that means things that are in alignment with the higher good. &#xD;
 There will be no more destructive creations.    &#xD;
    Anyway &#xD;
 back to your project. The first thing you must do is, sit back, relax &#xD;
 and enjoy the show. I.e. watch the process unfold. You will have thoughts &#xD;
 such as:    &#xD;
    "But &#xD;
 God cannot handle such a big project. I'm going to have to jump in there &#xD;
 and make it happen!"    &#xD;
    But if &#xD;
 you think about that for just a second you will realize how silly that &#xD;
 thought is. I mean we're talking about God here. And if it's the same &#xD;
 God that created us that that means he handles much bigger projects &#xD;
 than yours every millisecond. In every moment whole universes are created &#xD;
 and destroyed. So don't you think he can handle this? Ahh but now you &#xD;
 say:    &#xD;
    "Well &#xD;
 yes but not my project. I'm not worthy of god's help."    &#xD;
    But you &#xD;
 are. And he is helping you. God's help is available to everyone. It's &#xD;
 not that he doesn't want to help people or that people are not worthy, &#xD;
 it's that we choose, consciously or sub consciously to reject him and &#xD;
 his help. We are like children who want to pretend we don't have any &#xD;
 parents. But God being the loving parent that he is will let the children &#xD;
 believe in this delusion as much as they want to. Constantly protecting &#xD;
 them from themselves, but in the process letting them learn the lessons &#xD;
 of separation. Eventually they wake up and want to come back home.    &#xD;
    Dump all &#xD;
 your old ideas of how things get done in this world. It will not happen &#xD;
 from your will power, your fear or your separate actions and ideas. &#xD;
 Take all your concerns to God as you have been. Then trust that it is &#xD;
 happening in the background. Be open to the signs when you are nudged &#xD;
 to take action or when someone is brought to you. You are already very &#xD;
 good at this so there really is no problem . For you it's just a matter &#xD;
 of really believing that it can happen this way. But all that is required &#xD;
 is your effort to believe and this you are doing. Soon your project &#xD;
 will be done and you will be able to teach this new method to others. &#xD;
 Yes the old world is being destroyed but a new world is being created &#xD;
 and you are a part of it so do not fear. All you need do is set back, &#xD;
 relax and enjoy the show.    &#xD;
    You have &#xD;
 many compasses to help guide you along the way, they are:    &#xD;
    Does it &#xD;
 feel right?   Are you at peace?   Is it effortless?   Does it flow?   Is it joyful?    &#xD;
    When you're &#xD;
 about to take an action use these compasses to guide you. This is how &#xD;
 you will know if you are in the flow or not.    &#xD;
    "But &#xD;
 what about money?"    &#xD;
    Trust, &#xD;
 you already have everything you need right now in this moment to take &#xD;
 the next step. All will be provided for in the right time and place &#xD;
 for your project to come into being. Know that. Accept what is happening. &#xD;
 Stay out of fear. If you could see all the blessing coming to you, you &#xD;
 would be so overjoyed but instead you look at your drab world and let &#xD;
 that tell you what to believe. Don't listen to it. Stay focused on the &#xD;
 spiritual. Stay out of worldly dramas. Know that you do have the money. &#xD;
 Just have fun with it, trusting that the means will be provided for &#xD;
 you. You must trust in this process. Do not worry about how you're going &#xD;
 to make it happen. You are not going to make anything happen. Instead &#xD;
 you will discover what is already happening and go along with that.    &#xD;
    By William Spiritdancer</description>
      <content:encoded>At some &#xD;
 point you are ready. Ready to do your work. But the task can seem so &#xD;
 daunting as to be totally undoable. We've reached this point on our &#xD;
 path where we know what to do but how to do it? No matter what your &#xD;
 project is I would like to intro duce you to a new way of bringing it &#xD;
 into form. It is at this stage that we will be tempted to run back to &#xD;
 the old fearful ways of the old world. But, don't forget it was because &#xD;
 we realized that those fearful pushy ways didn't serve us that we started &#xD;
 on this path in the first place. That is why it is vitally important &#xD;
 that at this stage of living our purpose we don't run back to the old &#xD;
 ways of the past. For many of us we will then be left in a quandary &#xD;
 " how to get our work done." All we've been taught is fear &#xD;
 based pushy coercive techniques to get anything done. But there is a &#xD;
 better way. It's a process of allowing instead of forcing.    &#xD;
    In our &#xD;
 society right now most things are done in a fearful pushing manner. &#xD;
 A manner that is out of sync with the universe. A manner, where you &#xD;
 feel you have to make something happen. What we are going to discuss &#xD;
 is a new way of getting things done by allowing them to happen. In this &#xD;
 process you will use trust and faith, prayer and intention to set things &#xD;
 in motion. Or rather, to get in tuned with what is already in motion. &#xD;
 The goal here is to align yourself with that which is already happening. &#xD;
 And to be a catalyst for it's unfoldment on Earth. This is totally different &#xD;
 from the old way of trying to will something into existence. Whatever &#xD;
 your project or work is, realize that ultimately it's God's project. &#xD;
 Please remember that no matter what the form, be it a book, a business, &#xD;
 a film or an invention. Don't start to think that it is your project &#xD;
 alone. Because when you start to think that way you feel alone and then &#xD;
 you feel that it is up to you to make it happen . Then you get stressed &#xD;
 out and fearful and start to use pushy coercive business tactics to &#xD;
 force it into existence. Pretty much 99.99% of the business done today &#xD;
 in our world is accomplished in this manner. It is a highly inefficient &#xD;
 way to get things done. Which is ironic, because to most of us this &#xD;
 new method will appear at first to be the inefficient one. Why, because &#xD;
 most of the time you will appear to be doing nothing of consequence. &#xD;
 But that is only because we normally think being busy and running around &#xD;
 is doing "work" when in reality most of that activity is just &#xD;
 wasted energy. This is especially true when the business or project &#xD;
 is going against the flow of the universe, which unfortunately happens &#xD;
 to be most of the time. In the future, which is upon us, we will complete &#xD;
 projects using this new method. The heart of this method is trust.    &#xD;
    When you &#xD;
 do a project in a spiritual way, you realize you are not alone and your &#xD;
 main goal is to get in alignment with that which exists already. You &#xD;
 want to get in tuned with what is already happening. When you do this &#xD;
 you because an instrument and things come into your awareness and start &#xD;
 to happen synchronistically. You don't follow mental "to do" &#xD;
 lists; instead you will be intuitively guided moment to moment. Sometimes &#xD;
 these inspirations will not make any logical sense at all. But it all &#xD;
 starts with the question, "God what would you have me do today." &#xD;
 Of course you will have needs, wishes and desires but you will give &#xD;
 those over to God. Then you will seek to get in alignment with Gods &#xD;
 solutions to what appears to be your problems. This is the proper way. &#xD;
 All the solutions already exist. It is only man today who believes himself &#xD;
 to be separate from God that thinks he must make things happen using &#xD;
 his own will power. But the power of Love is so much more powerful. &#xD;
 And, that's what we are really talking about. For this new way to work &#xD;
 you will only seek to do things that are in alignment with the higher &#xD;
 order. So that means things that are in alignment with the higher good. &#xD;
 There will be no more destructive creations.    &#xD;
    Anyway &#xD;
 back to your project. The first thing you must do is, sit back, relax &#xD;
 and enjoy the show. I.e. watch the process unfold. You will have thoughts &#xD;
 such as:    &#xD;
    "But &#xD;
 God cannot handle such a big project. I'm going to have to jump in there &#xD;
 and make it happen!"    &#xD;
    But if &#xD;
 you think about that for just a second you will realize how silly that &#xD;
 thought is. I mean we're talking about God here. And if it's the same &#xD;
 God that created us that that means he handles much bigger projects &#xD;
 than yours every millisecond. In every moment whole universes are created &#xD;
 and destroyed. So don't you think he can handle this? Ahh but now you &#xD;
 say:    &#xD;
    "Well &#xD;
 yes but not my project. I'm not worthy of god's help."    &#xD;
    But you &#xD;
 are. And he is helping you. God's help is available to everyone. It's &#xD;
 not that he doesn't want to help people or that people are not worthy, &#xD;
 it's that we choose, consciously or sub consciously to reject him and &#xD;
 his help. We are like children who want to pretend we don't have any &#xD;
 parents. But God being the loving parent that he is will let the children &#xD;
 believe in this delusion as much as they want to. Constantly protecting &#xD;
 them from themselves, but in the process letting them learn the lessons &#xD;
 of separation. Eventually they wake up and want to come back home.    &#xD;
    Dump all &#xD;
 your old ideas of how things get done in this world. It will not happen &#xD;
 from your will power, your fear or your separate actions and ideas. &#xD;
 Take all your concerns to God as you have been. Then trust that it is &#xD;
 happening in the background. Be open to the signs when you are nudged &#xD;
 to take action or when someone is brought to you. You are already very &#xD;
 good at this so there really is no problem . For you it's just a matter &#xD;
 of really believing that it can happen this way. But all that is required &#xD;
 is your effort to believe and this you are doing. Soon your project &#xD;
 will be done and you will be able to teach this new method to others. &#xD;
 Yes the old world is being destroyed but a new world is being created &#xD;
 and you are a part of it so do not fear. All you need do is set back, &#xD;
 relax and enjoy the show.    &#xD;
    You have &#xD;
 many compasses to help guide you along the way, they are:    &#xD;
    Does it &#xD;
 feel right?   Are you at peace?   Is it effortless?   Does it flow?   Is it joyful?    &#xD;
    When you're &#xD;
 about to take an action use these compasses to guide you. This is how &#xD;
 you will know if you are in the flow or not.    &#xD;
    "But &#xD;
 what about money?"    &#xD;
    Trust, &#xD;
 you already have everything you need right now in this moment to take &#xD;
 the next step. All will be provided for in the right time and place &#xD;
 for your project to come into being. Know that. Accept what is happening. &#xD;
 Stay out of fear. If you could see all the blessing coming to you, you &#xD;
 would be so overjoyed but instead you look at your drab world and let &#xD;
 that tell you what to believe. Don't listen to it. Stay focused on the &#xD;
 spiritual. Stay out of worldly dramas. Know that you do have the money. &#xD;
 Just have fun with it, trusting that the means will be provided for &#xD;
 you. You must trust in this process. Do not worry about how you're going &#xD;
 to make it happen. You are not going to make anything happen. Instead &#xD;
 you will discover what is already happening and go along with that.    &#xD;
    By William Spiritdancer</content:encoded>
      <enclosure url="http://media.kickstatic.com/kickapps/images/22042/photos/PHOTO_998178_22042_2045228_ap_100X75.jpg" type="text/html" />
      <pubDate>Fri, 29 Feb 2008 06:54:28 GMT</pubDate>
      <guid>http://community.mydreampower.com/_How-to-do-a-project-the-spiritual-way/BLOG/31706/22042.html</guid>
      <dc:creator>spiritdancer</dc:creator>
      <dc:date>2008-02-29T06:54:28Z</dc:date>
      <media:content expression="full" type="text/html" isDefault="true" url="http://media.kickstatic.com/kickapps/images/22042/photos/PHOTO_998178_22042_2045228_ap_100X75.jpg">
        <media:category>Spirituality</media:category>
        <media:credit role="publishing company" scheme="urn:ebu">The Old Dream Club</media:credit>
        <media:description>At some &#xD;
 point you are ready. Ready to do your work. But the task can seem so &#xD;
 daunting as to be totally undoable. We've reached this point on our &#xD;
 path where we know what to do but how to do it? No matter what your &#xD;
 project is I would like to intro duce you to a new way of bringing it &#xD;
 into form. It is at this stage that we will be tempted to run back to &#xD;
 the old fearful ways of the old world. But, don't forget it was because &#xD;
 we realized that those fearful pushy ways didn't serve us that we started &#xD;
 on this path in the first place. That is why it is vitally important &#xD;
 that at this stage of living our purpose we don't run back to the old &#xD;
 ways of the past. For many of us we will then be left in a quandary &#xD;
 " how to get our work done." All we've been taught is fear &#xD;
 based pushy coercive techniques to get anything done. But there is a &#xD;
 better way. It's a process of allowing instead of forcing.    &#xD;
    In our &#xD;
 society right now most things are done in a fearful pushing manner. &#xD;
 A manner that is out of sync with the universe. A manner, where you &#xD;
 feel you have to make something happen. What we are going to discuss &#xD;
 is a new way of getting things done by allowing them to happen. In this &#xD;
 process you will use trust and faith, prayer and intention to set things &#xD;
 in motion. Or rather, to get in tuned with what is already in motion. &#xD;
 The goal here is to align yourself with that which is already happening. &#xD;
 And to be a catalyst for it's unfoldment on Earth. This is totally different &#xD;
 from the old way of trying to will something into existence. Whatever &#xD;
 your project or work is, realize that ultimately it's God's project. &#xD;
 Please remember that no matter what the form, be it a book, a business, &#xD;
 a film or an invention. Don't start to think that it is your project &#xD;
 alone. Because when you start to think that way you feel alone and then &#xD;
 you feel that it is up to you to make it happen . Then you get stressed &#xD;
 out and fearful and start to use pushy coercive business tactics to &#xD;
 force it into existence. Pretty much 99.99% of the business done today &#xD;
 in our world is accomplished in this manner. It is a highly inefficient &#xD;
 way to get things done. Which is ironic, because to most of us this &#xD;
 new method will appear at first to be the inefficient one. Why, because &#xD;
 most of the time you will appear to be doing nothing of consequence. &#xD;
 But that is only because we normally think being busy and running around &#xD;
 is doing "work" when in reality most of that activity is just &#xD;
 wasted energy. This is especially true when the business or project &#xD;
 is going against the flow of the universe, which unfortunately happens &#xD;
 to be most of the time. In the future, which is upon us, we will complete &#xD;
 projects using this new method. The heart of this method is trust.    &#xD;
    When you &#xD;
 do a project in a spiritual way, you realize you are not alone and your &#xD;
 main goal is to get in alignment with that which exists already. You &#xD;
 want to get in tuned with what is already happening. When you do this &#xD;
 you because an instrument and things come into your awareness and start &#xD;
 to happen synchronistically. You don't follow mental "to do" &#xD;
 lists; instead you will be intuitively guided moment to moment. Sometimes &#xD;
 these inspirations will not make any logical sense at all. But it all &#xD;
 starts with the question, "God what would you have me do today." &#xD;
 Of course you will have needs, wishes and desires but you will give &#xD;
 those over to God. Then you will seek to get in alignment with Gods &#xD;
 solutions to what appears to be your problems. This is the proper way. &#xD;
 All the solutions already exist. It is only man today who believes himself &#xD;
 to be separate from God that thinks he must make things happen using &#xD;
 his own will power. But the power of Love is so much more powerful. &#xD;
 And, that's what we are really talking about. For this new way to work &#xD;
 you will only seek to do things that are in alignment with the higher &#xD;
 order. So that means things that are in alignment with the higher good. &#xD;
 There will be no more destructive creations.    &#xD;
    Anyway &#xD;
 back to your project. The first thing you must do is, sit back, relax &#xD;
 and enjoy the show. I.e. watch the process unfold. You will have thoughts &#xD;
 such as:    &#xD;
    "But &#xD;
 God cannot handle such a big project. I'm going to have to jump in there &#xD;
 and make it happen!"    &#xD;
    But if &#xD;
 you think about that for just a second you will realize how silly that &#xD;
 thought is. I mean we're talking about God here. And if it's the same &#xD;
 God that created us that that means he handles much bigger projects &#xD;
 than yours every millisecond. In every moment whole universes are created &#xD;
 and destroyed. So don't you think he can handle this? Ahh but now you &#xD;
 say:    &#xD;
    "Well &#xD;
 yes but not my project. I'm not worthy of god's help."    &#xD;
    But you &#xD;
 are. And he is helping you. God's help is available to everyone. It's &#xD;
 not that he doesn't want to help people or that people are not worthy, &#xD;
 it's that we choose, consciously or sub consciously to reject him and &#xD;
 his help. We are like children who want to pretend we don't have any &#xD;
 parents. But God being the loving parent that he is will let the children &#xD;
 believe in this delusion as much as they want to. Constantly protecting &#xD;
 them from themselves, but in the process letting them learn the lessons &#xD;
 of separation. Eventually they wake up and want to come back home.    &#xD;
    Dump all &#xD;
 your old ideas of how things get done in this world. It will not happen &#xD;
 from your will power, your fear or your separate actions and ideas. &#xD;
 Take all your concerns to God as you have been. Then trust that it is &#xD;
 happening in the background. Be open to the signs when you are nudged &#xD;
 to take action or when someone is brought to you. You are already very &#xD;
 good at this so there really is no problem . For you it's just a matter &#xD;
 of really believing that it can happen this way. But all that is required &#xD;
 is your effort to believe and this you are doing. Soon your project &#xD;
 will be done and you will be able to teach this new method to others. &#xD;
 Yes the old world is being destroyed but a new world is being created &#xD;
 and you are a part of it so do not fear. All you need do is set back, &#xD;
 relax and enjoy the show.    &#xD;
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 many compasses to help guide you along the way, they are:    &#xD;
    Does it &#xD;
 feel right?   Are you at peace?   Is it effortless?   Does it flow?   Is it joyful?    &#xD;
    When you're &#xD;
 about to take an action use these compasses to guide you. This is how &#xD;
 you will know if you are in the flow or not.    &#xD;
    "But &#xD;
 what about money?"    &#xD;
    Trust, &#xD;
 you already have everything you need right now in this moment to take &#xD;
 the next step. All will be provided for in the right time and place &#xD;
 for your project to come into being. Know that. Accept what is happening. &#xD;
 Stay out of fear. If you could see all the blessing coming to you, you &#xD;
 would be so overjoyed but instead you look at your drab world and let &#xD;
 that tell you what to believe. Don't listen to it. Stay focused on the &#xD;
 spiritual. Stay out of worldly dramas. Know that you do have the money. &#xD;
 Just have fun with it, trusting that the means will be provided for &#xD;
 you. You must trust in this process. Do not worry about how you're going &#xD;
 to make it happen. You are not going to make anything happen. Instead &#xD;
 you will discover what is already happening and go along with that.    &#xD;
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      &#xD;
  &#xD;
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  &#xD;
  &#xD;
            &#xD;
  &#xD;
  &#xD;
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      Take a 10-30 minute walk every day. And while you walk, smile. It is the ultimate anti-depressant.      &#xD;
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              &#xD;
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  &#xD;
  &#xD;
            &#xD;
  &#xD;
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  &#xD;
          "I am thankful for __________. "      &#xD;
      "Today Iaccomplished____________."      &#xD;
  &#xD;
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            &#xD;
  &#xD;
  &#xD;
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      <description>Stage &#xD;
 one - AWAKENING     In stage one, we are the restless. We go through life asleep to our &#xD;
 true purpose for existing. We feel restless, searching for meaning in &#xD;
 the meaningless things of the world. We live a never-ending search, &#xD;
 looking for happiness and peace in everything outside of ourselves. &#xD;
 At some point, we realize we are barking up the wrong tree and turn &#xD;
 within. Many times this will be brought on by a crisis in our lives. &#xD;
 Eventually we start to awaken to the idea that we were born to make &#xD;
 a difference; that there has to be something more to our lives. We are &#xD;
 not just cogs in some machine. We realize that who we truly are is important &#xD;
 and that we have something meaningful to contribute to the world, even &#xD;
 though we may not know exactly what that something is. It is at this &#xD;
 point of awakening that we enter stage two and begin the journey of &#xD;
 finding out exactly why we are here and what we are supposed to do with &#xD;
 our lives.    &#xD;
      Stage &#xD;
 two - DISCOVERY     In stage two, we are seekers, determined to discover what is our gift, &#xD;
 what it is that we love to do? We start noticing what we really enjoy &#xD;
 doing for the pure joy of it versus for money and recognition. Eventually &#xD;
 we understand without a doubt what it is that we love to do, and we &#xD;
 realize that this is our gift for the world. Once we realize what this &#xD;
 gift is, we can enter stage three.    &#xD;
      Stage &#xD;
 three - INITIATION     In stage three, we are artist, determined to cultivate our gifts and &#xD;
 win the battle against our ego and the many inner demons that arise &#xD;
 to convince us that we are not worthy, not good enough, or that no one &#xD;
 will need what we have to offer. We will deal with issues of survival, &#xD;
 and money. But eventually we will defeat these demons. We will begin &#xD;
 to understand that there is a larger purpose for what we love to do; &#xD;
 that there is a loving higher power that is guiding us; that what we &#xD;
 love to do is a necessary and meaningful part of healing the planet. &#xD;
 At this point, fears about survival will be washed away by our deep &#xD;
 desire to help make the world a better place. We will finally answer &#xD;
 the questions: "Why am I here?" and "What am I supposed &#xD;
 to do with my life?" When we realize that we are to heal the world &#xD;
 with our gifts, we enter stage four.    &#xD;
      Stage &#xD;
 four - PURPOSE     In stage four--the last and final stage--our life purpose has become &#xD;
 clear. It is clear who we are, why we are here, what are our gifts, &#xD;
 and how we are to use these gifts to heal the planet. Now our focus &#xD;
 shifts from what we can get with our gifts to how can we can give and &#xD;
 contribute unconditionally. Now we see that there is much work to be &#xD;
 done. No longer do we stand back and feel powerless. With God at our &#xD;
 side, and his love in our hands, we boldly jump into the fray. When &#xD;
 we give of our gifts freely and unconditionally to the world, we have &#xD;
 become dream masters!</description>
      <content:encoded>Stage &#xD;
 one - AWAKENING     In stage one, we are the restless. We go through life asleep to our &#xD;
 true purpose for existing. We feel restless, searching for meaning in &#xD;
 the meaningless things of the world. We live a never-ending search, &#xD;
 looking for happiness and peace in everything outside of ourselves. &#xD;
 At some point, we realize we are barking up the wrong tree and turn &#xD;
 within. Many times this will be brought on by a crisis in our lives. &#xD;
 Eventually we start to awaken to the idea that we were born to make &#xD;
 a difference; that there has to be something more to our lives. We are &#xD;
 not just cogs in some machine. We realize that who we truly are is important &#xD;
 and that we have something meaningful to contribute to the world, even &#xD;
 though we may not know exactly what that something is. It is at this &#xD;
 point of awakening that we enter stage two and begin the journey of &#xD;
 finding out exactly why we are here and what we are supposed to do with &#xD;
 our lives.    &#xD;
      Stage &#xD;
 two - DISCOVERY     In stage two, we are seekers, determined to discover what is our gift, &#xD;
 what it is that we love to do? We start noticing what we really enjoy &#xD;
 doing for the pure joy of it versus for money and recognition. Eventually &#xD;
 we understand without a doubt what it is that we love to do, and we &#xD;
 realize that this is our gift for the world. Once we realize what this &#xD;
 gift is, we can enter stage three.    &#xD;
      Stage &#xD;
 three - INITIATION     In stage three, we are artist, determined to cultivate our gifts and &#xD;
 win the battle against our ego and the many inner demons that arise &#xD;
 to convince us that we are not worthy, not good enough, or that no one &#xD;
 will need what we have to offer. We will deal with issues of survival, &#xD;
 and money. But eventually we will defeat these demons. We will begin &#xD;
 to understand that there is a larger purpose for what we love to do; &#xD;
 that there is a loving higher power that is guiding us; that what we &#xD;
 love to do is a necessary and meaningful part of healing the planet. &#xD;
 At this point, fears about survival will be washed away by our deep &#xD;
 desire to help make the world a better place. We will finally answer &#xD;
 the questions: "Why am I here?" and "What am I supposed &#xD;
 to do with my life?" When we realize that we are to heal the world &#xD;
 with our gifts, we enter stage four.    &#xD;
      Stage &#xD;
 four - PURPOSE     In stage four--the last and final stage--our life purpose has become &#xD;
 clear. It is clear who we are, why we are here, what are our gifts, &#xD;
 and how we are to use these gifts to heal the planet. Now our focus &#xD;
 shifts from what we can get with our gifts to how can we can give and &#xD;
 contribute unconditionally. Now we see that there is much work to be &#xD;
 done. No longer do we stand back and feel powerless. With God at our &#xD;
 side, and his love in our hands, we boldly jump into the fray. When &#xD;
 we give of our gifts freely and unconditionally to the world, we have &#xD;
 become dream masters!</content:encoded>
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        <media:description>Stage &#xD;
 one - AWAKENING     In stage one, we are the restless. We go through life asleep to our &#xD;
 true purpose for existing. We feel restless, searching for meaning in &#xD;
 the meaningless things of the world. We live a never-ending search, &#xD;
 looking for happiness and peace in everything outside of ourselves. &#xD;
 At some point, we realize we are barking up the wrong tree and turn &#xD;
 within. Many times this will be brought on by a crisis in our lives. &#xD;
 Eventually we start to awaken to the idea that we were born to make &#xD;
 a difference; that there has to be something more to our lives. We are &#xD;
 not just cogs in some machine. We realize that who we truly are is important &#xD;
 and that we have something meaningful to contribute to the world, even &#xD;
 though we may not know exactly what that something is. It is at this &#xD;
 point of awakening that we enter stage two and begin the journey of &#xD;
 finding out exactly why we are here and what we are supposed to do with &#xD;
 our lives.    &#xD;
      Stage &#xD;
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 what it is that we love to do? We start noticing what we really enjoy &#xD;
 doing for the pure joy of it versus for money and recognition. Eventually &#xD;
 we understand without a doubt what it is that we love to do, and we &#xD;
 realize that this is our gift for the world. Once we realize what this &#xD;
 gift is, we can enter stage three.    &#xD;
      Stage &#xD;
 three - INITIATION     In stage three, we are artist, determined to cultivate our gifts and &#xD;
 win the battle against our ego and the many inner demons that arise &#xD;
 to convince us that we are not worthy, not good enough, or that no one &#xD;
 will need what we have to offer. We will deal with issues of survival, &#xD;
 and money. But eventually we will defeat these demons. We will begin &#xD;
 to understand that there is a larger purpose for what we love to do; &#xD;
 that there is a loving higher power that is guiding us; that what we &#xD;
 love to do is a necessary and meaningful part of healing the planet. &#xD;
 At this point, fears about survival will be washed away by our deep &#xD;
 desire to help make the world a better place. We will finally answer &#xD;
 the questions: "Why am I here?" and "What am I supposed &#xD;
 to do with my life?" When we realize that we are to heal the world &#xD;
 with our gifts, we enter stage four.    &#xD;
      Stage &#xD;
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 clear. It is clear who we are, why we are here, what are our gifts, &#xD;
 and how we are to use these gifts to heal the planet. Now our focus &#xD;
 shifts from what we can get with our gifts to how can we can give and &#xD;
 contribute unconditionally. Now we see that there is much work to be &#xD;
 done. No longer do we stand back and feel powerless. With God at our &#xD;
 side, and his love in our hands, we boldly jump into the fray. When &#xD;
 we give of our gifts freely and unconditionally to the world, we have &#xD;
 become dream masters!</media:description>
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